Not being big meat-eaters, we may never become regulars at Yakiniku Master Japanese barbecue, but we do love the design of the chain’s latest, its third, restaurant, opened late last year on Shanghai’s Tianyaoqiao road.
The 300 square-meter (3,230 square-foot) restaurant seats 130 people. It was designed by Beijing-based Golucci International Design, lead by the Taiwan-born, London-trained designer, Lee Hsuheng, with team members Zhao Shuang and Ji Weng.
The interior of Yakiniku Master Japanese barbecue is a harmonious combination of minimalist modern design and references to both Japanese and Southern Chinese architecture and traditions.
We love the use of the wood frame structures of traditional Japanese architecture, and in particular, the oak lattice work or screens that simultaneously divide and unite the restaurant’s various sections.
We love the half-moon shaped ceiling light fixtures designed by Golucci and referring to small, traditional Chinese boats.
The seemingly random, rectangular patches of meticulously arranged pebbles create cool interest on the floor and resemble a typical Zen-like feature in a Chinese garden.
We like the large, black-and-white mural behind the bar area that shows the beautifully curving silhouettes of typical Chinese roofs.
But most of all we love the stunning, ink-black wall of stacked traditional Japanese barbecue coal. It is absolutely beautiful.
All of these quietly elegant elements are not just beautiful to look at, but tactile and interesting, with texture and life and stories to tell.
Lee Hsuheng established Golucci International Design in 2004. Its portfolio includes a number of high-end restaurant and hospitality projects. - Tuija Seipell
At first glance we thought this was a campaign for sunglasses, but no. This campaign of massive vinyl stickers hit the bathrooms of Beirut’s trendy spots to draw attention to Riviera Privé. It is an exclusive beach, pool and bar and lounge area in one of Lebanon’s most famous hotels, the Riviera Hotel.
Riviera is located right in Beirut city, facing the Mediterranean. The hotel has been a favorite destination of jet-setters since 1956.
The Riviera Privé area has seen several reiterations of glamour and luxury, as has the hotel itself, but it is definitely the place for beach-loving locals who want to see and be seen. The sticker campaign created by République Beirut plays cleverly on this theme by implying reflective sunglasses and evoking the sense of being watched.
Our guess is that not so long from now, a sunglass company will use this same idea. Bill Tikos
Intercontinental Hotel and Thalasso Spa - Bora Bora
Blue Lagoon, Reykjavik - Iceland
Positano, Amalfi Coast, Italy
The Dunes in Peru
Pongua Falls, Vietnam
Lady Musgrave Island, Great Barrier Reef, Australia
Kaieteur Falls - World's Largest
5 Star Taj Exotica Resort - Maldives
Elafonisi Beach, Crete
Casa Kimball - Dominican Republic
These minimalist, slightly retro — and dare-we-say cute – lamps come from New Zealand. They are the result of cooperation between veteran craftsman Douglas Snelling and his artist daughter Rebecca Snelling.
They established their company, Workroom, in 2008 and its collection currently includes tables, stools and lamps. In 2010, Rebecca and her partner Paul Dowie opened a physical retail store Douglas + Bec on St. Mary’s Road in Ponsonby, Auckland. It sells not just Workroom pieces but also others that fit their sensibilities of natural raw materials, clean lines and craftsmanship. Douglas + Bec sells also online. - Tuija Seipell
If Paul Gauguin hadn't died four years before Frida Kahlo was born, one might suspect that Gavin Brown is their lovechild. Certainly his art carries the organic lushness and slight madness of Kahlo's many self-portraits and Gauguin's Polynesian-period art.
You cannot blame the Melbourne-born, 47-year-old Brown for subtlety or minimalism. His world is populated by richly coloured graffiti-like images of people and situations where fleshy faces and tattooed skin compete for attention with birds, fruit and flowers. The vivid richness and underlying drama contradict each other.
The colour palette is happy and lovely, but these people are not happy. There is something sinister, tormented, going on. Which of course brings us back to impressionists and the most tormented of them all, Vincent van Gogh, whose self-portraits, if combined with his sunflowers would look completely comfortable with Brown's gallery of people.
Brown has had an illustrious and multi-faceted career in fashion, film and many other forms of art and design, but his focus is on painting.
He has participated in more than 25 solo and group exhibitions. Several of his large commissions adorn the luxurious Marina Bay Sands Singapore hotel and casino. - Tuija Seipell
Complicated is easy, minimalist is difficult. Even more difficult is minimalist design that stands out. That is why we love this little contact lens shop in Tel Aviv, Israel. It is a store concept for Adashot by EyeCare designed by Lee-Ran Shlomi Gidron of Tel Aviv-based Miss Lee Design.
It is apparently the first and only store in Israel that sells nothing but contact lenses. And that posed the main challenge of this project: How to display something as tiny and indistinguishable as contact lenses?
To start, Miss Lee created a word cloud to describe contact lenses: Cleanliness, Transparency, Clarity, Reflection, Gliding, Lightness and Tension between black &white. From that, the two main design elements emerged: The embossed-digits-wall inspired by sight tests, and the six light fixtures with concave mirrors. Minimalist, beautiful and stunning. - Tuija Seipell
'L'Odyssée de Cartier' which premiered worldwide on March 5th is a three and a half minute film celebrating the jewellery house’s 165 years of history.
According to the Telegraph, Cartier UK’s executive chairman Arnaud M. Bamberger said at a preview at Cartier’s London HQ: “This project has been treated like a real movie, we wanted the best special effects, a big director, an incredible model and props to intertwine with our incredible history.”
The stunningly dramatic film follows the brand’s iconic panther on a worldwide journey from St. Petersburg to China, India and Paris. L'Odyssée’s 110-member team was directed by advertising film director Bruno Aveillan. The original score was composed by Pierre Adenot. - Bill Tikos
UK-based shoe and accessory retailer Kurt Geiger has been rolling out its new retail store concept in the UK and around the world with the help of its long-time collaborators at Found Associates of London.
Kurt Geiger’s flagship store and headquarters at 198 Regent Street in London’s West End is a glamorous shoe emporium within a five-storey historically protected building.
Red carpet covers the ramp leading to the men’s department, and it also links visually to the red glass walls at the rear of the store. The walls are lined with dark grey glass shelves forming a beautifully formal “library of shoes.”
Mirrors and glass, and the colours red, white and black create the entire visual structure of the store, allowing the shoes to remain the main focus. The Kurt Geiger Regent Street store occupies 2,800 square feet (260 square meters) of space.
The other main store in London, the 4,000 square-foot (371 square meters) Covent Garden store, is a maze of mirrors circling around a massive staircase.
The mirrors, distorting the space and creating infinite reflections, are all the props that are needed to create a luxurious, fantastical environment.
This Covent Garden store received RetailWeek’s 2011 Fashion Retail Interior of the Year award.- Bill Tikos
Japanese artist Makoto Tojikil is fascinated by light. He uses it in ways that create amazing illusions and out-of-this-world experiences in a subtle, inquisitive way.
But what we love most is the way his No Shadow pieces – large animal and human sculptures made of strands of light - evoke a sense of playfulness, awe, possibility and wonder. We find ourselves unable to stop staring, unwilling to leave the area of influence of the magical, somehow celestial beings and creatures.
Tojiki was born in 1975 in Miyzaki, Japan, and graduated from Kinki University in 1998 as an industrial design engineer. After a stint designing home appliances, he launched his artistic career full-time in 2003. Of the No Shadow pieces, he says “An object is seen when our eyes capture light that is reflected from the object. If we extract just the light that is reflected from ‘something,’ are we still in the presence of that ‘something?’ Using contours of light, I try to express this ‘something.’” We envision all sorts of opportunities for brands to use this type of sculpture at events, launches, stores, showrooms… - Tuija Seipell.