National Geographic Channel have created a real-life version of the animated film Up — launching a house thousands of metres into the air using balloons.
A team of scientists, engineers, and two world-class balloon pilots successfully launched a 16' X 16' house 18' tall with 8' coloured weather balloons from a private airfield east of Los Angeles, and set a new world record for the largest balloon cluster flight ever attempted.
Using 300 helium-filled weather balloons, the lightweight building reached an altitude of more than 3000m and remained in the air for about an hour.
The filming of the event, from a private airstrip, will be part of a new National Geographic Channel series called How Hard Can it Be?, which will premiere in fall 2011.
The stunning Sunset Chapel in Acapulco, Mexico, was completed only recently, but it has already gained much attention for its stark and arresting design by Esteban and Sebastián Suárez of Mexico City-based BNKR Arquitectura.
It is a memorial chapel that will eventually be surrounded by a "garden" of crypts. With its bare-concrete structure that appears eternal, and its slatted walls and glass cross that allow the light to perform its daily magic in the space, Sunset Chapel looks and behaves like a modern-day Stonehenge. Mysterious and stark, yet reassuring and calming; protective, yet part of the surrounding nature.
The elevated shape was partly dictated by an enormous boulder that already ruled the site, and by the wish to allow the spectacular view to be visible from within. At only 120 square meters in size, the chapel evokes a surprising sense of strength. - Tuija Seipell
Illegal Burger, at Møller Gata 23 in Olso, capital of Norway, opened in secrecy late last year but it has since become a hit among those who appreciate a delicious charcoal-grilled burger.
Located in a space that used to house a “knock-three-times” club, the fresh-looking burger place still carries some of that mystery, hence the name, too.
Illegal Burger does not quite fit in any standard restaurant or club category and it does not look like a burger joint. Low-ceilinged and only 43 square meters in size, the heavily wood-paneled space looks a bit like a below deck of a ship, with the tight kitchen resembling a galley. Flexibility was one of the key points in the design brief because the space functions as a party space, hosting intimate events with DJs and late night parties.
Illegal Burger was established by three partners, Emil Hesselberg, who is a well-known local restaurateur and owner of the city’s top dance club, The Villa at Møller Gata 25, and two passionate cooks with a skating background, Mike Henriksen and Jostein Kristiansen.
The interior and furnishings were designed by Al Coulson with visual communications, including logo and graphics, by The Metric System. - Tuija Seipell.
There are no alligators outside this cool kindergarten, located in Ramat Gan, near Tel Aviv, Israel. But inside, there definitely are alligators and they are white.
White alligators may not be the first things that would come to mind if you were asked to design a kindergarten environment. But Tel-Aviv-based designer Sarit Shani Hay, creator of fun kindergarten spaces, doesn’t think like the rest of us.
She took her inspiration from the surroundings of the kindergarten — an agricultural training farm with lush vegetable gardens and purposeful functionality.
In her projects, Hay combines sleek functionality with unexpected whimsy, typified here by the white crocs that function as lounge chairs for the little ones.
Other focal points include a large mushroom that serves as a house, a hiding place and a play station; and a wooden house with windows and a red roof; and shelving units in the shape of trees. All of these have a functional purpose and look inviting and cool, but the main benefit is their inspiration for play and interaction. Rather than just sitting there like any furniture, these pieces are also playthings that invite the children to discover and experiment.
The space has two rooms for two age groups: one for 1.5-2.5 year-olds, and the other for 2.5-3.5 year-olds. A large block of white closets divides the two spaces and hides the kids mattresses and contains each kid’s own drawer.
And, if you are like us and would like one of those gators, you will need to be in touch with Hay, because she both designed and made them by hand. Apparently, they are available in three sizes – we imagine them to be tiny-ish, plain scary and horrendous. - Tuija Seipell
Tourism offices around the world pay attention - this is how you promote a country.
Tim and Fiona Slack (T&F Slack) are married to each other and to their love of creating shoes, considered “modern classics” by industry standards. Their collection gives the classic “Gibson” or “Derby” shoe shape new life when unexpected colour combinations, stitching details and fabrications are blended together.
You can choose from the perforated Punch Derby in white leather with yellow peaking beneath, or have a custom made pair to order in their Notting Hill Shop or use the simple “build your own shoe” system they’ve created within Selfridges and Liberty.
Dedicated to keeping manufacturing local, they make around 150 shoes per month in their factory where old-fashioned machinery is salvaged and customised to create their “modern classic” shoes. With so much repetition in the world of shoes, it’s so refreshing to see a unique and bespoke solution that really does draw the eye downwards! – Kate Vandermeer
The interior design of Bank of Moscow’s offices in central Moscow’s Kuznetsky Most area (Kuznetsky Most street 13) retains the building’s great historical bones and matches customized adornments to them.
The office — one of the Bank’s many offices — occupies 7,000 square metres on the third floor and in the previously unused mansard (attic) space. Moscow-based designer, Alexey Kuzmin, retained by architectural office Sretenka for this assignment, used the space’s key feature, the large, hexagon-shaped central hall, as the defining point. He placed the client services functions in this grand, open area to evoke and retain the elegant feel of the entire building.
It is windowless, so Kuzmin created a stained-glass ceiling, that echoes the forms and style of the building. Everything in the client zone was customized, including the tall wooden doors with glass, stained-glass windows, chandeliers, oak paneling for walls and ceilings and the marble floors.
Kuzmin located the staff offices on the wings or balconies surrounding the client zone. The dividers in the office area are made of glass with wooden arches around them.
The attic had no historically significant features and it was designed as a typical, effective office. Glass dividers allow light into the space from the small narrow roof-top windows. The ceiling is made of fire resistant panels, covered with birch veneer. The white office furniture is by Vitra.
The storied building has housed the Tretyakov Trading House (same Tretyakovs that are behind the Tretjakov Art Gallery) and the expansive shop of the famous Russian photographer, J. Daziaro. Over time, the Kuznetsky Most area has changed from an upper-class shopping district (early 1800s) to financial district (mid 1800s), to Bolshevik and KGB offices, and back to elegant shopping (since 1980s). Tuija Seipell.
Steed Lord is a musical performance art project from Iceland working on the frontiers of pure creativity and music making with impressive and energetic live performances, experimental filmmaking, photography, fashion design and styling, art direction, graphic design and other visual mediums.
The threesome KALI, MEGA and DEMO all hail from their native Iceland where they grew up in the entertainment and art world learning their craft at an early age in their fathers studios.
Drawing their raw inspiration from their Icelandic background, they have managed to create a world of their own that they call New Crack City where they create their art and write their music.
Steed Lord have since early 2006 been a 100% DIY project and toured all over the world with their music performing for thousands of fans while being featured in numerous magazines, on music and fashion blogs, in tv shows, on radio and they even designed a clothing line for retail giant H&M.
Perhaps we have died and gone to heaven, or just seeing visions, but this not the kind of bank that we do business with. Unfortunately.
This far-reaching concept bank is located in the historical building of 2, Place de l’Opéra. The space is chock-full of completely wacky un-bank features, yet it also has a nice retro touch — the honeycombed ceiling, lovely mirrors — that gives it the elegance and respectability that the building’s history warrants and the bank’s business must convey.
Other than that, it is an almost 1,000 square-meter funhouse of colors, shapes, textures and forms with the goal to entice the customer to discover, interact, experiment and (gasp!) enjoy.
In ten specific zones, all regular banking functions from daily banking to stock-market info, private meetings, staff training can take place with the emphasis on breaking the age-old banking set-up where the client and the adviser (the teller, the banker) are on opposite sides.
All of this plus a temporary exhibition area dedicated to kids, a coffee bar, a 25 square-meter green, living wall set the tone for the unusual banking experience. Of course, such aspects as ergonomics, sustainability, proper lighting and the latest technology, are givens.
In addition to custom furniture and furnishings, Zoevox used furniture by Christophe Delcourt, Philippe Hurel, Paola Lenti, Christian Liaigre, India Mahdavi, Antonio Lupi (lavabo), Pierre Paulin and Philippe Starck, and lighting by Sylvie Coquet, Adrien Gardère, Poul Henningsen, Marco Merendi, Karim Rashid and Patricia Urquiola. Now, can we all expect our neighbourhood banks to change? Tuija Seipell
Underwhelming. That’s the one word that describes the Superbowl ads. With one fun exception: Volkswagen’s The Force (23 million views). Brands in general did not push Twitter or Facebook either, as they assumed viral would happen by itself. But it didn’t, because the Superbowl ads were not memorable or worth talking about. People talked, but it was mainly negative. Being just a bit clever and/or technically good is nowhere near enough. Talking down at the viewer bombs. And being plain stupid is unforgivable. So, what is missing? Storytelling skills, heart and magic. Real, tough-earned creative that pushes the viewer to something new, surprising, fun. All those brands, all those agencies, all that money, and that’s the best that can be done? Fail. Here's a Heineken ad, The Entrance, an ad that would have fit the bill. - Tuija Seipell