Theo Altenberg has been active in so many artistic genres that it seems like a silly simplification to call him a painter.
There is an intriguing drama in his yummy olis-on-cardboard that hints to his other talents. In these seemingly random splashes and smears of mixed oily color, the viewer finds him- or herself looking for scenery, people, recognizable forms.
Whether this was Altenberg’s intention or not is irrelevant. What matters is that it gives us pause. We look. We see.
The 59-year-old Altenberg was born in Mönchengladbach, Germany, and lives in Berlin. He is an actor, singer, painter, photographer, writer, performer.
He’s even played the role of Andy Warhol in a 1991 film, Andy’s Cake, directed by Terese Panoutsopoulos. Most of Altenberg’s work and collaborations have taken place in Europe. - Tuija Seipell
New York artist Tom Fruin’s outdoor sculpture Kolonihavehus in the plaza of the Royal Danish Library in Copenhagen has the appearance of a friendly and colourful stained-glass house, yet it also evokes thoughts of churches and Charles Rennie Macintosh.
Fruin’s sculpture is constructed of a thousand reclaimed pieces of plexiglass ranging in size from 2x2 to 24x36 inches. They originate from many sources, including a closed- down plexi distributorship near Copenhagen, a framing shop, the basement of the Danish State Art Workshops, and the dumpsters outside the Danish Architecture Center.
The sculpture was brought to life by daily performances by Copenhagen-based CoreAct headed by Anika Barkan and Helene Kvint. The performances included poetry of the Danish Vagn Steen, Computer-controlled light sequences by Nuno Neto and a sound installation by Astrid Lomholt.
Kolonihavehuses were originally small garden sheds that were designed to give cramped and often impoverished city-dwellers a small plot and a refuge from city life. - Bill Tikos
Seriously one of the greatest mountain bike edits you'll ever witnessed. Impressive filming and riding.
The song is by Radical Face - Welcome Home
Creative duo Kirsten Rutherford and Lisa Jelliffe from London’s Brothers & Sisters agency drew our attention to their current poster installation “Making the invisible visible” that hit the streets of London this past weekend.
It is a collaboration with the Berlin-based, three-person photographic street art collective Mentalgassi in support of Amnesty International.
The London poster campaign is specifically in support of Troy Davis, a man described as having “been on death row for 19 years in the USA, despite serious doubts about his conviction.”
The posters, depicting a close-up Davis’s face, are mounted on fence railings that disguise the posters so that the face behind the bars is revealed only when viewed from an angle. View the video.
The three posters are located at 4-7 Great Pulteney St, 21 Great Pulteney Street, and 5 Berners St (all W1). - Bill Tikos
TCH has been active online for 6 years and sometimes it seems we forget how amazing it is that the community that follows us just keeps growing. Many of our articles are read by millions of people, and the numbers of regular readers, followers, friends keeps growing and growing.
To celebrate this community, we commissioned artist Fernando Volken Togni from Brazil to create a poster. It reflects the multicultural, multi-discipline, multi-everything environment of the cool world of TCH.
Fernando also designed one of our car wraps which will be available in 2011.
The construction is made out of gütermann thread, wood and nails attached at either end to blocks of wood, the effect is like a real-world version of computer generated imagery. Stunning.
Matchstick Art of the Day: Pei-San Ng’s “Passion” — 2,500 matches glued to a piece of reclaimed plywood.
Dutch artists, mother and daughter Michèle Deiters and Bibi van der Velden, have created a series of sculptures that demand a double take. Their new partnership, Bibi Michèle, combines van der Velden’s conceptual vision with Deiters’s sculptural talents. The resulting pieces of art seem both new and timeless. The reflecting surfaces of the bold human-head sculptures incorporate the texture and light of the surroundings, and ask the viewer to participate.
The viewers can also see themselves reflected back from the sculptures which evokes a feel of conversation and communication. According to the artists, the viewer is an essential ingredient in the art by contributing emotion.
Weightlessness and an eerie out-of-placeness characterize the powerful pieces that are the duo’s first main body of work as a team. - Tuija Seipell