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Elegant, calm, minimalist, clean and beautiful are among the adjectives that can be used to describe almost all of Marcio Kogan’s much-publicized and much-awarded residential masterpieces.
The magnificent, streamlined residences must serve as an antidote of some sort to the Brazilian architect who has been quoted as saying that he loves his home town of São Paulo and New York because they are similar in their chaotic ugliness, and because he likes “energy, chaos and a multi-cultural population in a city.”
Out of this chaos-, humor- and cinema-loving creative mind, an astonishingly lovely, peaceful balance is projected onto residential projects.
Reviewers of Kogan’s work often mention Ludwig Mies van der Rohe, Frank Lloyd Wright or their contemporaries, but Kogan has said that he is more inspired by Ingmar Bergman, Federico Fellini and Andy Warhol.
However, the 57-year-old Brazilian-born and educated Kogan does have a modernist approach, and he has described the work of fellow Brazilians of modernist ilk -- Lucio Costa, Oscar Niemeyer, Lina Bo Bardi and Vilanova Artigas – as incredible.
The Paraty House, pictured here, is located on one of the hundreds of islands near the colonial town of Paraty, close to Rio de Janeiro. Before it was completed, Kogan predicted that it was to be his favourite house. Its simple premise is two large drawers pushed into the hill and connected by an internal staircase.
Its elegance comes from the seamless link between indoors and out, from the use of native wood, stone and vegetation, and from the minimalist, sweeping vistas that make so many of Kogan’s houses appear as if they were either taking off or recently landed. And although the stacked-boxes style is starting to wear thin as style-du-jour, this is surely one of its best examples. - Tuija Seipell
Aaaahhhhhh… Relaxing and breathing deeply. It may not come as a surprise to anyone that this would be our reaction this exquisitely refurbished residence, located in one of Rio de Janeiro’s most exclusive neighborhoods.
It has so many of the features we love. The structure seems to belong to the site. The indoor spaces connect with the outdoors, and the subtle surface textures and materials showcase the art and the mid-century modernist vibe of the furnishings.
There is visual room to breathe, to see. There’s space to enjoy the art, distance to appreciate the gardens.
It lacks all of the typical design-magazine photo-session set-ups; the painfully over-staged vignettes, the overly sterile designer look. There is no ego or bravado, just ease and style. This is cool without trying to be cool; dramatic without all the drama.
This is that confident, mature style that is so difficult to achieve and impossible to fake.
The white, colonial-style house has good bones to start with: unobtrusive scale and proportions, spectacular site with access to views, natural building materials.
It is also surrounded by sublime mature gardens originally designed by the late Roberto Burle Marx, the designer of the Copacabana Beach Promenade with its distinctive, black-and-white Portuguese geometric wave pattern.
But the already great structure of this house was improved by a recent, complete overhaul by Brazilian architect Gisele Taranto.
The 1,500 square-meter (about 16145 square feet) house consists of two blocks. The larger block is the main family residence, the smaller one accommodates staff rooms, laundry, garage, home theater and the spa that is directly connected with the outside pool and patio area.
Taranto retained this division of functions, but rearranged most of the rooms and built two additional spaces on top of the existing ones: a home office with a roof-top garden on top of the residence, and an additional two-bedroom apartment for staff on top of the other block.
To provide better access to the outside, new, much larger windows and sliding glass doors were created. Wooden exterior slat screens and a wide canopy all around the house were built to provide protection from the extreme sunlight and heavy rains of the area.
High-quality natural materials, such as corten steel, limestone, marble and peroba do campo wood are used throughout, but they remain as a subtle background for the art and furnishings.
In this project, Taranto collaborated once again with Brazilian lighting designer Maneco Quinderé and landscape designer Gilberto Elkins. Tuija Seipell
We are scratching our heads, searching for new words to describe the attraction we have for buildings such as the Limantos residence by Fernanda Marques Arquitetos Associados.
The one-family residence of 820 square meters (8,826 sq.ft) is built on three levels on a steep 780 square-meter (8,395 sq.ft.) plot in the upscale neighbourhood of Cidade Jardim (Garden City) in the West Zone of São Paulo, Brazil.
What is it that so appeals to us in this? Yes, it is the clean, classic lines, the Miesian harmony between nature and the indoors, the understated elegance of less is more.
It is also the achievement of open-space opulence without pretentious pomposity. It is the complete lack of unnecessary ornamentation. Balance. Harmony. Air to breathe.
Maybe it is that the building just seems to belong. Like waves on the beach or mountains in the skyline, the building occupies its space as if it were meant to be there.
To avoid sounding overly pompous ourselves, let’s just say that we wouldn’t mind living in this house.
The house consists of 13 rooms: living, dining, kitchen, mezzanine, kids’ playroom, three bedroom suites, powder room, two staff suites, plus laundry and garage.
The family engaged Fernanda Marques to create a home – both the architecture and interior are by Marques - that functions well as an everyday residence for the active family, but also lends itself to frequent entertaining.
Marques achieved a beautiful balance between maximum transparency and privacy, and managed to insert the building into a challenging plot while preserving the existing trees.
Using glass, concrete and steel, Marques created a timeless house in the spirit of Mies van der Rohe who was the architect’s inspiration for this project.
The elegant, white spiral staircase, resembling the inside of a shell or a curled strip of paper, is our favourite detail of this beautiful house. - Tuija Seipell.
Slender supporting pilotis and horizontal slivers of concrete characterize the cube-like residential project, White House by Marcio Kogan’s StudiMK27.
The 500 square-meter (5380 sq.ft) building is an elegant example of tropical minimalism. It is constructed of durable industrial materials – concrete and white aluminum – to withstand the harsh tropical elements by the sea, yet it is deceivingly airy and weightless.
These external hallmarks link the Brazilian architect’s work with that of Lina Bo Bardi whose famous Casa de Vidro (Glass House) was completed in 1951, a year before Kogan was born.
Kogan admires Oscar Niemeyer but he has called Bo Bardi “the very best of Brazilian modernists” and he has consistently employed the very best of Bo Bardi’s favourite architectural elements.
White House is a private residence in São Paulo in the São Sebastião region known for its 36 beaches on the southeast coast of Brazil.
The house itself is basically a flat box on stilts, with the ground floor dedicated to all social activity including cooking and dining. The first floor houses all of the bedrooms and on top of that is the terrace garden accessible via a round hatch door.
The surrounding nature is present everywhere thanks to the liberal use of glass. Several other features inside contribute to the sensation of weightlessness.
The industrial materials are softened by the use of native wood. We love the perforated partitions that evoke the muxarabi, Moorish-inspired latticework screens and one of the hallmarks of Brazilian modernism.
In this residence, the partitions allow the light to filter through while creating lovely reflection patterns on the floors and walls.
We also love the floating cantilevered staircases that support the idea of lightness with their understated presence.
Studio MK27 created the White House with co-architect Eduardo Chalabi. The interior design is by Studio MK27 architect Diana Radomysler.
Marcio Kogan founded his Studio StudiMK27.in the early 1980s. He has since made a significant mark in the world of architecture, not just as a modernist in Brazil but globally as well. - Tuija Seipell.
Photographer: Fernando Guerra.