These items have all been tagged with the tag "Milan", You can see other tags in the Tag Cloud
From August 5 to September 30, the cutely nostalgic Fiat 500 C, unveiled in February, appears on Milan’s world-famous fashion street, Montenapoleone, in an unexpected role. Exactly 20 fiberglass replicas, precisely the same size and shape as the little Fiat, have become planters for real trees of various shapes. The happening, called “Per fare un albero” (Create a tree), is a cooperative effort between the City of Milan, Fiat, and artist-designer Fabio Novembre. In Novembre’s words, his solution to merge into one object trees and cars, two elements always vying for urban space, is a “symbol of a new way of living.” According to Fiat’s spokespeople, Fiat 500 C’s cheerful, friendly, innovative and eco-friendly character is a perfect fit for such an undertaking. - Tuija Seipell
Our world is full of noise, coming from every angle. Consumers have seen it all before, creating an unprecdented challenge to marketers.
It’s not enough just to be noticed. To rise above the clutter brands need to be extraordinary in every way. Extraordinary is the new ordinary; a mandatory requirement in a globaiised world where consumers are savvier, better educated and more connected than ever before.
Over the last five years The Cool Hunter has sought out the extraordinary and these finds have been a source of inspiration for hundreds of thousands of readers. But what you see on the site is only the tip of the proverbial iceberg as we don't always give away content for free. For hundreds of examples of innovative brand communications - from guerilla marketing through to environmental and outdoor - visit our consulting arm The Cool Hunter Platinum.
Luxury jewelry and giftware stores are waking up. They have been as traditionally stuffy as banks in their design, but their globe-trotting clientele is demanding an upgrade. Bored out of their minds, they want an edge, a spark, a something, to break up the monotony and to add some interest.
We've featured a few, including Octium in Kuwait,- Podium Paris and Solange Azagury-Partridge London and here is another to add to that list: The two-level Faraone jewelery boutique in Milan, on Via Montenapoleone, envisioned by architect Massimo Iosa Ghini. whose retail design work includes showrooms for Maserati and Ferrari.
At Faraone, his subdued, metallic setting for the items on display symbolizes the precious-metal setting of a ring or pendant that sets out the stones, engraving and minute details.
There is also a cool, retro factor, reminiscent of the mysterious estate jewelry areas in luxury department stores of the past. The soft nappa leather chairs and the tone-on-tone carpeting add to the feel of being inside a jewelry box. - Tuija Seipell.
Our most recent artistic pick is Milan-based, London-educated artist and sculptor, Benedetta Mori Ubaldini.
There is something strangely intriguing and mesmerizing about her chicken-wire sculptures.
Trying to put our finger on it, we came up with more than a few explanations why we love these so much.
One appealing aspect is that they look somehow unfinished and raw. The wire frame is usually the part of a sculpture we do not see. It is not the final product. And yet, these airy and lightweight pieces seem to lack nothing at all. They are very much finished and completed.
And the lightness and weightlessness, that floating feel, is another endearing quality. These pieces seem to be almost nonexistent. Barely there. About to disintegrate and vanish.
And that fleeting property of Ubaldini’s work is yet another reason why we cannot take our eyes off them. Something sneaky, shady, secretive and sly. Maybe even a bit evil and sinister. Maybe we shouldn’t be seeing these ephemeral sculpture innards at all?
Ubaldini’s work has graced store windows, art galleries and event spaces in many countries, and two of her smaller pieces are even on sale at Magis Me Too as decorations for children’s rooms.
In their incredible simplicity, her wire-frame, 3D-pieces leave us much room to interpret and come up with our own viewpoint. Is it good or bad, happy or sad, fun or sinister, serious or just plain playful junk?
For some reason, we want to take this artwork very seriously. We want her to do larger installations. Massive worlds and environments.
After all, if an artist’s work gives us reason to ponder, consider and think, it has given us the best gift art can give us. - Tuija Seipell.