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| Sun 06 Jul 2008 |
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Tag: Architecture
These items have all been tagged with the tag "Architecture", You can see other tags in the Tag Cloud| Humlegård House - Braving The Elements |
| 2008-06-12 06:10:30 |
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Humlegård House is the stark-looking, year-round residence of a former Finnish TV documentary producer. He moved to this house, located in the town of Fiskars, 78 kilometers west of Helsinki, from a central-Helsinki heritage apartment. Many aspects of Humlegård, especially its placement to respond to the forces of nature, resemble the owner’s childhood home, a large country manor in central Finland. Designed by Kimmo Friman of Friman Laaksonen Architects of Helsinki, Humlegård House is situated on a small, flat hill so that the north-south line runs diagonally through the building. This is the traditional way of placing a building so that it functions optimally as an energy efficient and comfortable dwelling in the harsh, Finnish climate. Protection from the wind and maximum use of sunlight are primary considerations, and the placement of rooms is as much dependent on how much the room needs heat and daylight as it is on how the residents use each space. The floor plan resembles the layout of a traditional peasant farmhouse, split lengthwise into two. The house consists of three multi-function areas: two large living rooms linked by a loft with a bathroom and walk-in closet below. In a typically Finnish fashion, the building appears simple, stark and utilitarian yet exudes a harmonious and stylish form & function sensibility. The owner and architect selected each building material carefully, opting for traditional, natural materials. “I did not want materials of which we did not have decades of experience,” said the owner. Horizontal spruce board – left untreated for maximum structure breathability -- is the main feature of the interior. The spruce-clad outer facade weathers into a beautiful gray color that matches the stark surroundings. The east-facing facade is clad with galvanized corrugated-steel that protects the wall from rain and sun and also reflects excessive sun away in the summer. The placement of windows was determined by the requirements of the interior spaces. A separate, tiny log sauna, also designed by Friman, was built later east of the main building. By Tuija Seipell |
| Corbu's Building Gained A Creature |
| 2008-06-10 02:40:55 |
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The Carpenter Centre for the Visual Arts at Harvard University in Cambridge, Massachusetts, is the only major Le Corbusier-designed building in North America. To celebrate the 40th anniversary of this building some time ago, a crazy-looking temporary puppet theater was constructed within its sunken courtyard. Apparently, great engineering and technical features held this odd little theatre together, but we are much more fascinated by its appearance. The theatre resembles an alien mega-crawley, some sort of an animal -- perhaps subterranean or even submarine -- that managed to disguise itself with AstroTurf as a benign being but was in fact, a voracious, people-eating igloo. It lurks under the overhang, waiting to devour unsuspecting keeners of puppetry. French conceptual artist Pierre Huyghe and Harvard assistant professor of architecture, Michael Meredith, collaborated on the structure using the help of computer technology and a team of GSD students. For them, metaphorical identities for the structure included an egg, a seed, a tumor, an alien spacecraft, and Le Corbusier’s brain. The structure was built with 500 white polycarbonate panels – each unique in shape -- held together by 2,000 bolts to form a rigid frame covered in real moss, not its plastic imitation. Regardless, we think it is a live creature as emphasized by the entrance, which is a soft, flexible, mouth-like opening built so that it appeared to frame a tree when viewed from the innards. The puppet opera performance told the story of the Carpenter Centre with Corbu himself appearing in marionette form. The performance was created by Huyghe who works with many media forms, from film to puppetry to “public interventions.” In 2002, he won the the Guggenheim Museum's biennial $100,000 Hugo Boss Prize, one of the premier juried prizes of the contemporary art world. By Tuija Seipell |
| Deluxe Apartments In The Sky |
| 2008-06-03 12:29:01 |
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Movin’ on up, now more than ever encapsulates stunning design, impeccable service, effortless living from the time the sun rises to well after the sun sets. We’ve been noticing a rising trend in the sheer number of luxury residences - we recently told you about an exclusive collection of seaside properties in Abu Dhabi. And now from New York to Buenos Aires, and from Moscow to Beijing, we’ll reveal a few more of the coolest luxury abodes. Many of us have been accustomed to the stylistic cues offered by W Hotels across the world – but how many of us will actually have a chance to pick up the phone from our own kitchens and receive assistance from the ‘Whatever, Whenever’ hotline? Soon, for those who jumped at the chance to purchase a W-styled apartment in one of their newest locations south of the World Trade Centre in New York City, the possibilities will be limitless. W Residents may share the building with distinguished hotel guests in the lower portion of Manhattan, but luxury amenities such as a rooftop terrace, a fitness centre and spa in the sky, a media screening room and digital lounge, as well as a separate entrance, will be solely for those permanently living in the upper floors of the luxury tower. While the W Hotel New York Downtown will take up the first twenty-two floors, the upper levels have been split into furnished residences (Floors 23-30) and customised residences (Floors 33-56). Interior design exceeds expectations, even by W standards, with sleek and functional kitchen built-ins to a translucent wall from the bedroom to a ‘peek-a-boo loo.’ A bit further in the heart of Tribeca, Five Franklin Place is destined be the epitome of luxury residences. The 20-storey building will contain 55 one-, two-, three- and four-bedroom units that will be set up as duplex lofts on the lower floors; single-level city residents above; plus three triplex penthouses each with a rooftop terrace and serviced by private internal lifts. The building itself, designed by Dutch architect Ben van Berkell of UNStudio, will be wrapped in a series of horizontal black metallic bands – each of which ungulates as it curves around and hugs the frame of the structure. The façade is apparently a direct tribute to the original 19th-century built form of cast iron that shaped lower Manhattan – and the metallic surface will reflect light while highlighting the magnificence of the neighbouring buildings. The building’s façade is not merely about aesthetics, as the bands will also create shading from the daylight, deflect heat, and guarantee every residence will have the highest degree of privacy, and simultaneously frame unparalleled views out across Manhattan. The Loft Residences on the levels have a double-height living area that maximises the light entering the space. The height of the great room continues on through a gallery where a white lacquered library wall ascends up into the second level. The upper-tier City Residences feature integrated terraces off the main living areas, and all units are custom-fitted with B&B Italia kitchens and built-ins throughout. The master bathrooms feature a circular sliding wall that allows the bathroom to become part of the bedroom and share its spectacular city views. And for those at the top, the five ultra-luxurious Sky Penthouses are unmatched in practically every aspect. Again, B&B Italia has masterfully crafted the space, including the kitchen. Sweeping views from every room, even the master bathroom, automatically heighten the occupants’ awareness of their place in the cityscape and the surrounding environment. The skylines of our cities are rapidly changing – ingeniously designed buildings are competing for our attention. But architectural beauty alone is not going to provide the type of service we’re growing accustomed to expecting after spending millions on luxury lifestyle. We feel that the rise of luxury residences has only just begun – and we want to know all about it. If you are aware of luxury residences we should investigate, please let us know. By Andrew J Wiener. |
| Living On Exhibit |
| 2008-05-28 01:04:08 |
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Antwerp, Belgium-based one-year-old sculp(IT) is a partnership of two architects, Pieter Peerlings and Silvia Mertens. They have recently completed a clever office, residence and studio for themselves in what they call “Antwerp’s narrowest house” located in Anwerp’s former red-light district. They took a 2.4-meter (7 feet 10 inches) wide space between two buildings, erected a steel skeleton in it and installed four wooden floors, one each for work, dining, relaxing and sleeping, plus a bath tub on the roof. A one-piece staircase connects the floors. The walls are all glass, allowing light in and creating a feel of space. In a nod to the area’s “exhibitionist” past, each “window” to the street has a black frame emphasizing the showcase or display aspect. The multi-color lighting scheme completes the seedy notion. By Tuija Seipell |
| Exclusive Private Residential Estate, Abu Dhabi |
| 2008-05-19 06:55:33 |
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There’s a new planet in the solar system and it’s called Luxury. Actually, it is here on earth, on a little-known island called Nurai, located northeast of Abu Dhabi city. The 130,000-square-meter island is about to be transformed into an achingly glamorous and luxurious resort and exclusive private residential estate, comprised of one boutique luxury hotel resort with 60 suites, 31 beachfront estates and 36 water villas. The mammoth project is a collaboration between New York based Studio Dror, led by Dror Benshetrit, that has designed the residences, and the Paris-based firm AW2 are responsible for the design of the hotel. The sheer scale of the project is awe-inspiring; the incredible multi-storey water villas alone will span 515 square metres each, comprising of three bedrooms, four bathrooms, a private rooftop garden with spa pool, private infinity pool, multiple decks, outdoor barbeque area, gourmet kitchen and concealed service quarters. No doubt Tom & Katie are making their reservations already. As for the private “Seaside” residences (which are sure to be snapped up by Saudi Princes and oil shieks because they will probably be the only ones who can afford them), the five bedroom-six bathroom estates span across between 3,000 – 6,050 square metres. Each “Seaside” estate will include a private beach and garden, rooftop garden with spa pool, infinity swimming pool, indoor reflecting pools, concealed service quarters, entertainment patios, outdoor dining areas, chef and show kitchens and outdoor showers. The resort is due to open in 2010 and residences start at €20 million. By Lisa Evans |
| Baumraum Treehouses |
| 2008-05-15 20:23:24 |
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Some of us think that our far off ancestors lived in the trees – and during our childhood, when our thoughts and memories are most pure, we yearn to climb trees growing in our gardens, in our parks, in our cities. As we get older, the urge to climb trees subsides as we ride elevators up to our offices in the sky and look out across the cities where we live. Yet occasionally, as we’re sealed up tight in our artificially climatic spaces, we long for a breath of fresh air. At a German company called baumraum an architect, a landscape architect, an arbologist, and a craftsman design modern, natural and solidly constructed treehouses. Each treehouse project is assessed individually. The team takes into consideration both the condition of the environment and of the tree, with the size and features the clients desire. baumraum offers a range of wood-types as well as options for insulated walls. Treespaces can be outfitted with sitting and sleeping benches, storage spaces, a mini-kitchen, heating, glass windows, lighting, as well as a sound system for multimedia. Every piece is pre-fabricated in a workshop, and then brought together on site. Sound like something you’ve been wanting? The baumraum team offers free consultation where they can talk you through every option available as you put together your dream treehouse. The treehouses can span multiple levels and sit among several trees. Treehouses are mostly secured with ropes, thereby minimising the impact of stress to the tree or trees on which the house is placed. And if a tree is particularly weak, or even if a treehouse is wanted where there is no suitable tree, stilts are used to guarantee people everywhere can once again climb trees. By Andrew J Wiener. |
| House in Tenerife, Canary Islands |
| 2008-05-06 16:34:55 |
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We do our best to seek out exceptional design from all corners of the globe, and on Tenerife, the largest of the Canary Islands off the north west coast of Africa, we found an extraordinary architectural example in timber, glass and concrete. The House in Tenerife was built into the cliffs 300m above a black sand beach. The entrance to the house leads to the upper tier of the double-height living room. And descending the concrete staircase, the minimalist interior becomes second nature against the surrounding backdrop – where the blues of the sky and the sea appear vertically in formation. Before long, the sensory experiences from the natural world envelope the built form, and the house’s relevance in its surroundings are revealed. The layout places living areas of the home on the shorter end of the L-shaped form, while both bedrooms and bathrooms sit along the longer side. Both living and sleeping spaces open out to a wooden deck and pool that spills into nature. The heaviness of the concrete double-story living room allows glass panels to sit effortlessly on the deck. The room’s only furniture, le Corbuiser’s chaise and Mies’ Barcelona chair face out, away from a small fireplace that meets a wall of two-storey shelving. The sleeping spaces both open to the deck and pool as well. Each has its own bathroom – and from the master, the owners can sleep and bathe in the same space looking out at the same view, as the sink and the concrete tub sit at the foot of the bed. The house even contains a basement where a home gym looks through a glass wall into the side of the pool. We couldn’t really think of anything else we would want from a home on a Spanish island – except great wine storage, we’d be doing plenty of entertaining. By Andrew J Wiener |
| Casey Brown Architecture – James-Robertson House |
| 2008-04-18 06:56:09 |
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New Yorkers call it ‘Upstate.’ Londoners call it ‘the Country.’ But for many of the so-called Sydney-siders, living just about an hour north of the CBD in and around the stunning Pittwater Bay, it’s called home. And the design brief for the James-Robertson House set upon a steep slope at Great Mackerel Beach overlooking the bay was to provide the owners with a permanent residence that separates living, sleeping and guest spaces in three pavilion-like glass, steel and copper structures. The Sydney-based team of Casey Brown Architecture abides by principles of lying built form atop of the natural environment, and their house perched above the blue waters of the bay is no exception to the practice. For the James-Robertson House, the architects, who also live on the hillside, employed their local knowledge of climate and topography in the relationship between the natural and the tectonic. After crossing the bay by ferry, visitors and the very few local residents arrive at Great Mackerel Beach via a pier that jets out from the shore. The homes on the hillside sit at the edge of the Ku-ring-gai National Park – a vast expansive protected area just north of Sydney – and no road access means no cars at all – the dream of many urbanists worldwide. The structure of the house is comprised of three double-storey pavilions that are anchored down into the rock formations yet seem to hang off the steep hill. The climate-sensitive design allows the vast open areas to capture sea breezes from the South Pacific Ocean just out beyond the Bay. Sunlight is effortlessly filtered through folding hoods, mechanical blinds and eaves and long overhangs. The entire steel structure was painted black, which helps the house fade into its natural environment. Along with the structural materials, the architects placed a copper roof above and used local timber and stone. The two pavilions below house a guest room and bathroom on the lower level, while the main kitchen, dining and living areas are accessed via an exterior stone stairway. The upper pavilion sits 50 metres above the lower, and can only be accessed by riding aboard a very steep inclinator. The pavilion contains the laundry area below, and the master bedroom and bathroom were placed on the highest point for the most expansive views of the surrounding landscape. By Andrew J Wiener |
| Sunset Cabin, Lake Simcoe, Ontario |
| 2008-04-16 07:27:13 |
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The owner couple of this beautiful pre-fabricated cabin on the shores of Lake Simcoe in Ontario, Canada, has been coming to their large recreational property for a quarter-century. But the big property in a great recreational location translated into lots of overnight guests and no privacy for the owners. They felt they needed a “getaway,” a place at their own property where they could capture the peace and serenity of the surrounding four-season nature without disturbing any of the existing trees or structures. They needed a place that remembers what the Simcoe cottage-country is all about. The brilliant, award-winning solution by Toronto-based Taylor Smyth Architects is the one-room Sunset Cabin, a real cabin with a decidedly contemporary feel. The wonderful cabin has won several architectural and design awards and met the clients’ needs perfectly. It is a one-room (190 square feet in size), self-contained box that was built by furniture craftsmen in four weeks in a Toronto parking lot and installed on site in 10 days. Three of the exterior walls are floor-to-ceiling glass and of those, two are encased in horizontal cedar-screens for privacy, shade and light effects inside. One of the cedar screens has a large opening providing a direct view of the sunset from the built-in bed. The rest of the screen has random smaller gaps to allow various vignettes of the surrounding nature and to create fantastic light patterns inside. The slats are positioned so that there is no direct view in from the outside, but at the same time, it the inside feels almost wall-less. The untreated cedar of the outer structure will turn silvery grey over time, helping the cabin blend in with its natural surroundings. In addition, the roof, visible from the existing main building, is a green roof planted with native plants of the area, further ensuring that the building mixes in with the landscape rather than sticks out in it. All interior surfaces are unpainted birch veneer plywood, including the built-in storage cabinets. Doors at both ends of the cabin allow for cross ventilation. The interior floor extends outside to form a deck where the rustic feel continues with the screened-off outdoor shower. The owners are apparently spending more time at their property than ever before. They enjoy the cabin year-round, heating it by a wood-burning stove and, if needed, electric heaters. Most likely, they are not inviting guests to share the space, so we can join in only by admiring the images. By Tuija Seipell |
| Zaha Hadid Wins Design Comp For Guggenheim Hermitage Museum |
| 2008-04-10 17:02:19 |
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Zaha Hadid’s silvery building resembling a sub-surface ferry or a space ship is the winning entry in the competition for the design of the Guggenheim Hermitage Museum in the ancient city of Vilnius, capital and the largest city of the Republic of Lithuania. Although Vilnius is one of Europe's smallest capitals, it has a long, strong and culturally rich history, beautifully reflected in its well-preserved Old Town with cathedrals dating back to the 12th century. The Pritzker prize-winning architect Hadid’s futuristic building will be an arts centre and a museum, housing selected collections of both the New York’s Solomon R. Guggenheim Foundation and the St. Petersburg- based State Hermitage Museum. The jury selected Hadid’s (Zaha Hadid Architects) design over those of equally famous architects Daniel Libeskind (Studio Daniel Libeskind) and Massimiliano Fuksas (Studio Fuksas). A feasibility study, commissioned by the recently established Jonas Mekas Visual Arts Centre in Vilnius, is expected to be completed by mid-June 2008. Depending on its outcome, the museum could open as early as in 2011. By Tuija Seipell |
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