123dv Architectuur & Consult is yet another award-winning — and strangely numbered — multi-disciplinary Dutch design firm. The Rotterdam-based 123dv practices architecture and interior design in a wide range of areas from residential to commercial buildings, from small-scale to huge projects.
A commercial project, the new wing of the Media Plaza in Utrecht, was launched with a high-tech party in October.
The Media Plaza is one of many conference and exhibition venues under the wings of the venerable Dutch Fair organization JaarBeurs.
The Media Plaza’s new expansion involves eight meeting rooms and a main congress hall that accommodates 700 people. The space 123dv created is an incredibly flexible blank-canvas for seminars, conferences and corporate events.
The design emphasis is on various light sources and different projection methods. The new wing is accessible via two tunnels in which 123dv designed all surfaces to be canvases for projection, with floors and walls reacting to the movement of people.
Light and projection are the main features also in the foyer and in the meeting rooms. To create different moods or to emphasize event-appropriate colors, the LED-light walls in the foyer and the fabric ceilings in the session rooms can change color.
123dv outfitted the main hall with a 100% transparent ETFE (ethylenetetrafluoroethylene) roof to mimic the feel of an ancient amphitheatre — a meeting under the open sky. The completely white congress hall seems an ideal backdrop for events where the organizer can really allow its colors or products to pop. We can already picture the possibilities for a fashion runway show. - Tuija Seipell
Quickly now, name a cool camper, caravan, trailer, motorhome or RV. Indeed, the only thing even close to cool in this category is a something retro. But this may be changing. Forget the 1973 Winnebago Mini Winnie, forget Shasta Airflyte, forget even the shiny retro Airstream, because a new generation of caravans is just being introduced at the Caravan Salon in Düsseldorf (August 30-September 7, 2008)
Visitors to Europe’s biggest camper show are getting a first look at the prototype of Mehrzeller, a completely customizable trailer. While RV designers and manufacturers the world over were nodding off at the wheel, Theresa Kalteis and Christian Freissling, two students at Austria’s Graz University of Technology’s faculty of architecture, decided to make a move. Their thesis project on “mobile living solutions” under professor Peter Schreibmayer was going to be not just a theory; it was going to become reality and something that will change the world of trailers.
They made the very simple assumption that the people who know best what the ideal camper needs are the people who will use it. On the Mehrzeller’s project website, the designers explain (in German) that when their “configurator” interface is fully functional in the spring of 2009, potential buyers can input their data and wishes, and order their unique Mehrzeller camper online. The name Mehrzeller can be translated as “moreceller,” i.e. something with more cells. The name is fitting as the pods or units that form the Mehrzeller in various configurations do look somewhat “cellular.”
The production will be based on the principle of mass customization, and production costs will not be significantly higher than those of standard campers. The basic architecture and design parameters remain the same, while the customers get to choose pretty much everything else. Using the configurator interface, they input the number and age of the people and animals that are going to be using the camper. Then they input the usage of space — eating, sleeping, cooking, working, entertaining, relaxing and so on — and the relative importance of each function. The system will then determine the floor plan and generate a 3D rendering. Next, the buyers select the materials and appliances. The program then calculates the price and creates the production specifications.
Mehrzeller will most likely move forward, and not remain just a crazy one-off prototype, because it has the backing of such heavyweights as BMW, 3M and many others. If you cannot catch the camper in Düsseldorf, you can see it at the Caravan Salon Austria, held in Wels October 15.-19, 2008. By Tuija Seipell (via squob)
Great, aesthetically pleasing design needn't be limited to traditional architectural forms such as houses and public buildings. Utilitarian spaces, such as car parks, present architects and designers with a unique opportunity to bring beauty and harmony to the everyday functional spaces that are normally ignored by great design minds.
We're excited to report that the tide is changing, evidenced by these good-looking car parks.
Modern design is all about "experience" and these car parks pictured acknowledge that one's experience of a private or public place begins the minute they pull up in their car. Innovative developers and designers are recognising just how crucial this is - it's almost too late by the time the consumer arrives at the front door. The "experience" of good design starts well before that.
These samples demonstrate how luminous exteriors, bold graphics and neon bright lighting all work here to create a space that is breathing, achieving the previously unachievable - giving tonnes of drab, purely functional concrete a sense of life. - Lisa Evans
Seen any other interesting car parks we should know about - send us tips
Let’s face it, most conventional medical interiors aren’t exactly attractive. In fact, it wouldn’t be surprising to discover that most people are allergic to the blandness and sterility of clinic interiors. Well the new Allied Health clinic in Melbourne, proves that it IS possible for health and design (and a bit of fun) to go hand in hand.
Accommodating the rather unusual combination of podiatry, physiotherapy, pathology, dietetics and psychology, the clinic feels like ‘2001 Space Odyssey meets late nineteenth century Victorian’. Designed by the Melbourne-based studio Chameleon Architecture, the interior juxtaposes elements of heritage, science and future. Ornate period details like crystal chandeliers, cornices, skirting boards and ceiling roses provide a classical backdrop. Exploring the idea of the medical as molecular, large glossy white molecules or futuristic pods are planted throughout the clinic, serving as consultation suites. Once inside the suite/pod, the mood changes again. The interior of the pod, from the walls, ceiling, floors to joinery, is clad entirely in plywood stained with a clear lacquer which enriches and emphasises the grain of the wood. So instead of looking pale under the normally cold and harsh light of clinical spaces, visitors here are instantly bathed in a warm, healthy glow without any treatment having even begun. - Jeanne Tan
Golf and drab are synonyms, right? And the mere mention of Golf andCountry Club makes you run. Away. Fast. Golf may indeed have a bit ofan image problem but that did not deter the Zürich-based Smolenicky & Partner Architektur when they were retained to work on the expansion of the venerable Sempachersee Golf Club located near Lucerne in Switzerland.
In addition to the new club house-restaurant building and the newmaintenance building, both of which Smolenicky designed, the expansionincluded a second 18-hole golf course. All of this has made Golf ClubSempachersee the largest golf club in Switzerland and, quite likely,the club with the coolest club house.
In their approach to the club house, Smolenicky sought to manifesttwo things: what they call the “country character of the golfingculture of the Sempachersee course” and the course’s worldlysophistication. They took their design cues from “the rural warmth of atimber barn and the clear lines of a Maserati sports car.” Theresulting building, the sleek and minimalist interior, and themagnificent 180-degree panoramic views of the Sempachersee lake and theAlps might just be reasons enough to give golf another chance. Or, atthe very least, rethink what a golfing environment could look like. By Tuija Seipell
Movin’ on up, now more than ever encapsulates stunning design,
impeccable service, effortless living from the time the sun rises to
well after the sun sets. We’ve been noticing a rising trend in the
sheer number of luxury residences - we recently told you about an
exclusive collection of seaside properties in Abu Dhabi. And now from New York to Buenos Aires, and from Moscow to
Beijing, we’ll reveal a few more of the coolest luxury abodes.
Many of us have been accustomed to the stylistic cues offered by W
Hotels across the world – but how many of us will actually have a
chance to pick up the phone from our own kitchens and receive
assistance from the ‘Whatever, Whenever’ hotline? Soon, for those
who jumped at the chance to purchase a W-styled apartment in one of
their newest locations south of the World Trade Centre in New York
City, the possibilities will be limitless.
W Residents may share the building with distinguished hotel guests in
the lower portion of Manhattan, but luxury amenities such as a rooftop
terrace, a fitness centre and spa in the sky, a media screening room
and digital lounge, as well as a separate entrance, will be solely for
those permanently living in the upper floors of the luxury tower.
While the W Hotel New York Downtown will take up the first twenty-two
floors, the upper levels have been split into furnished residences
(Floors 23-30) and customised residences (Floors 33-56). Interior
design exceeds expectations, even by W standards, with sleek and
functional kitchen built-ins to a translucent wall from the bedroom to
a ‘peek-a-boo loo.’
A bit further in the heart of Tribeca,
Five Franklin Place is destined be the epitome of luxury
residences. The 20-storey building will contain 55 one-, two-,
three- and four-bedroom units that will be set up as duplex lofts on
the lower floors; single-level city residents above; plus three triplex
penthouses each with a rooftop terrace and serviced by private internal
lifts.
The building itself, designed by Dutch architect Ben van Berkell of
UNStudio, will be wrapped in a series of horizontal black metallic
bands – each of which ungulates as it curves around and hugs the frame
of the structure. The façade is apparently a direct tribute to
the original 19th-century built form of cast iron that shaped lower
Manhattan – and the metallic surface will reflect light while
highlighting the magnificence of the neighbouring buildings.
The building’s façade is not merely about aesthetics, as the bands will also
create shading from the daylight, deflect heat, and guarantee every
residence will have the highest degree of privacy, and simultaneously frame unparalleled views out across Manhattan.
The Loft Residences on the levels have a double-height
living area that maximises the light entering the space. The height
of the great room continues on through a gallery where a white
lacquered library wall ascends up into the second level.
The upper-tier City Residences feature integrated terraces off the
main living areas, and all units are custom-fitted with B&B Italia
kitchens and built-ins throughout. The master bathrooms feature a
circular sliding wall that allows the bathroom to become part of the bedroom and share its spectacular city views.
And for those at the top, the five ultra-luxurious Sky Penthouses are
unmatched in practically every aspect. Again, B&B Italia has
masterfully crafted the space, including the kitchen. Sweeping
views from every room, even the master bathroom, automatically heighten
the occupants’ awareness of their place in the cityscape and the
surrounding environment.
The skylines of our cities are rapidly changing – ingeniously
designed buildings are competing for our attention. But architectural
beauty alone is not going to provide the type of service we’re growing
accustomed to expecting after spending millions on luxury lifestyle. We
feel that the rise of luxury residences has only just begun – and we
want to know all about it. If you are aware of luxury residences we
should investigate, please let us know. By Andrew J Wiener.
If you were led to a department store’s make-up and perfume floor blindfolded, would you know where you are when the blindfold came off? What store, what city, what country? Probably not, as one looks just like the other. Unimaginative, predictable, boring. Not so at Berlin’s 100-plus year-old Kaufhaus des Westens, one singular store known by Berliners as KaDeWe. Specializing in luxury, style and indulgence, KaDeWe has never shied away from swanky design or striking displays. This time, they’ve allowed Hamburg-based Bilen & Born GbR to create two radically different areas on the ground-floor perfume department. One is a white space-agey multi-label area inspired by the act of breathing in fragrances, where spirals and rounded shapes draw the visitor in. The other is a baroque-inspired space with a contemporary twist. With its glass mosaic floor, studded pillars and ceiling with more than 8,000 Swarovski crystals, these surroundings are memorable even if the brands are the same as everywhere else. By Tuija Seipell
The work of Belgium’s Rotor Group
is popping up in more and more visible places. Rotor covers a wide
range of projects, from basic design, branding and packaging, to
events, lighting planning, interiors, showrooms, products, trade shows
and art. We especially like the work they have done with Belgian
lighting firm Modular Lighting Instruments
creating events, showrooms and surroundings that defy definition. A
great example is Rotor Designer Toon Stockman’s retro-futuristic
showroom for Modular that pays homage to Modular’s Beam Squad and
consists of six enormous cages supported by a skeleton of fluorescent
tubing. The wild narrative for this installation — a typical Rotor tale
— tells of life-destroying peril but luckily, all will be well and in
about 2069, lighting will be manufactured in peace again. By Tuija Seipell
Diane von Fürstenberg Studio’s
new headquarters fits perfectly in New York City’s fashionable
Meatpacking District, also known as the Gansevoort Market Historic
District. The new, six-story building is wedged between two historical,
landmarked facades that resemble the wall props in Cirque du Soleil’s
La Nouba. One corner of the structure is topped by a Olot, Spain-made
faceted glass sphere that is part of the penthouse suite and seems like
a gigantic diamond fallen from the sky.
In the design, New York-based WORK Architecture managed
to combine old and new, light and dark, openness and enclosure,
artistry and practicality. The building houses DVF’s flagship store, a
5,000-square-foot showroom and event space, offices and studios for a
120 people, an executive suite, and a penthouse apartment.
Inside the building, the chief feature is the “stairdelier,” a wide
stairway that connects the floors and distributes light throughout the
building. Flexibility characterizes all of the public areas. Pivoting
walls and built-in unfolding “steamer-trunk” structures allow for a
wide use of the space for fashion shows, photo shoots, events and
parties.
WORK was founded in 2002 by Beirut, Lebanon-born Amale Andraos and
Rhode Island native Dan Wood. Many of their projects are in New York,
but their work includes everything from a master plan of an Icelandic
town to a theatre stage set, from low-income housing towers in New York
to a luxury residence in Panama, plus retail, office and residential
projects around the world. WORK is also designing 14 DVF stores in 11
countries.
Diane von Fürstenberg was born in Brussels, Belgium, 61 years ago. She
started her fashion designer career in 1970. Famous for her wrap
dresses, which she started creating in 1973, she has become a veritable
fashion icon. She is also the current president of the Council of
Fashion Designers of America, the non-profit association of America’s
fashion heavy-weights. By Tuija Seipell
For eons, walls of greenery have surrounded people and creatures living
in jungles, rainforests and other lush places.
Ancient Asians and
Europeans since Roman times have paid gardeners to create green art and
sculpture for their gardens, from elaborate topiary sculptures and
mazes to vine-covered walls.
And, of course, we’ve seen inventive uses
of built outdoor space — including rooftops, patios and balconies — as
places to bring more green into our overly concrete-covered lives.
Smudging the line between indoors and outdoors, and playing with the
illusion of greenery where it doesn’t really belong, are also the basis
of some recent installations that we like.
Mass Studies, founded in 2003 by Minsuk Cho in Seoul, Korea, has produced some great examples of this. Among them is Ann Demelmeester’s store (pictured above) in Soul. It is one of only four concept stores showcasing the fashions of the Flemish designer.
Green walls are not just visually interesting and environmentally
beneficial, they add a sense of calm and peace that is difficult to
achieve by other means. The inclusion of real, living plants on a large
scale in places where you don’t expect to see them, also adds other
sensory elements — the scent of the greenery, the sound of water,
perhaps the feeling of humidity around the installation. The organic
texture invites touch and inspires conversation — how was this
installed, how is it cared for, who did it?
We’ve found some interesting green installations, such as this school
in the UK and a hair salon in Japan, but we’d love to see many, many
more. We think there’s room for much more creativity and daring in this
arena, so let us know if you spot remarkable and unusual examples. By
Tuija Seipell Send to
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