Humlegård House is the stark-looking, year-round residence of a former Finnish TV documentary producer. He moved to this house, located in the town
of Fiskars, 78 kilometers west of Helsinki, from a central-Helsinki
heritage apartment. Many aspects of Humlegård, especially its placement
to respond to the forces of nature, resemble the owner’s childhood
home, a large country manor in central Finland.
Designed by Kimmo Friman of Friman Laaksonen Architects
of Helsinki, Humlegård House is situated on a small, flat hill so that
the north-south line runs diagonally through the building. This is the
traditional way of placing a building so that it functions optimally as
an energy efficient and comfortable dwelling in the harsh, Finnish
climate. Protection from the wind and maximum use of sunlight are
primary considerations, and the placement of rooms is as much dependent
on how much the room needs heat and daylight as it is on how the
residents use each space.
The floor plan resembles the layout of a traditional peasant farmhouse,
split lengthwise into two. The house consists of three multi-function
areas: two large living rooms linked by a loft with a bathroom and
walk-in closet below.
In a typically Finnish fashion, the building appears simple, stark and
utilitarian yet exudes a harmonious and stylish form & function
sensibility. The owner and architect selected each building material
carefully, opting for traditional, natural materials. “I did not want
materials of which we did not have decades of experience,” said the
owner. Horizontal spruce board – left untreated for maximum structure
breathability -- is the main feature of the interior.
The spruce-clad outer facade weathers into a beautiful gray color that
matches the stark surroundings. The east-facing facade is clad with
galvanized corrugated-steel that protects the wall from rain and sun
and also reflects excessive sun away in the summer. The placement of
windows was determined by the requirements of the interior spaces. A
separate, tiny log sauna, also designed by Friman, was built later east
of the main building. By Tuija Seipell
We do our best to seek out exceptional design from all corners of the globe, and on Tenerife, the largest of the Canary Islands off the north west coast of Africa, we found an extraordinary architectural example in timber, glass and concrete. The House in Tenerife was built into the cliffs 300m above a black sand beach.
The entrance to the house leads to the upper tier of the double-height living room. And descending the concrete staircase, the minimalist interior becomes second nature against the surrounding backdrop – where the blues of the sky and the sea appear vertically in formation. Before long, the sensory experiences from the natural world envelope the built form, and the house’s relevance in its surroundings are revealed.
The layout places living areas of the home on the shorter end of the L-shaped form, while both bedrooms and bathrooms sit along the longer side. Both living and sleeping spaces open out to a wooden deck and pool that spills into nature.
The heaviness of the concrete double-story living room allows glass panels to sit effortlessly on the deck. The room’s only furniture, le Corbuiser’s chaise and Mies’ Barcelona chair face out, away from a small fireplace that meets a wall of two-storey shelving.
The sleeping spaces both open to the deck and pool as well. Each has its own bathroom – and from the master, the owners can sleep and bathe in the same space looking out at the same view, as the sink and the concrete tub sit at the foot of the bed.
The house even contains a basement where a home gym looks through a glass wall into the side of the pool. We couldn’t really think of anything else we would want from a home on a Spanish island – except great wine storage, we’d be doing plenty of entertaining. By Andrew J Wiener
Screens and scrolls have been part of Asian interiors for thousands of
years. When Quing Dynasty (1644-1911) furniture and textiles found
their way to Europe, a new movement — Chinoiserie — was born in the
17th century. Ornate and delicate Chinese hand painted wallpapers
became hugely popular. Fast-forward to 2003, when Milanese architect Chiara Enrico moved to Beijing and Shanghai to explore opportunities there. One of the results of this exploration is MISHA handmade wallpapers,
a Milan-based company that selects, produces and distributes
hand-painted silk wallpapers. Ancient tradition meets current Western
sensitivities exquisitely in the China Classic collection. The China
Graphic collection will be launched at the Rosanna Samaritani Interni showroom in Milan during the Fuorisalone, April 16-21, 2008. By Tuija Seipell
Zig is a modular shelving system designed by Ryan Frank. It was commissioned by and will be displayed at the Post Design galleryin Milan this April. Zig modular units are on castors, which makes iteasy to create and endless number of customized combinations. Zig ismade of solid bamboo and it will eventually be available in severalnatural stains. Frank is a South African-born product designer livingand working in East London. He is known for his use of recycled,recyclable and salvaged materials in his furnishings. Perhaps his bestknown and most photographed “sustainable” pieces are the Inkuku chairmade of plastic shopping bags and the woolly Ishongololo foot stool. By Tuija Seipell
If you are lucky enough to have a home theatre, most of us would be
happy with a projector, surround sound and perhaps a comfy sofa or two.
Not so for these homeowners.
Pentagram Architects
partner James Biber has designed this home theatre in Montauk New York,
taking inspiration from Radio City Music Hall and 2001: A Space
Odyssey. The theatre has a series of round arches, which house 600
five-watt dimmer-controlled light bulbs that provide a soft ambient
light for when you need to find that elusive remote control. And as in
the Music Hall, the lights are positioned to glow away from the viewers
– because we all hate to have lights in our eyes when watching the big
screen.
Biber has designed the theatre to function like a TV room, in that it
is comfortable and intimate enough for a romantic night in with a
bottle of red and a Hugh Grant movie, but can also easily accommodate
up to ten people to watch the big game, or perhaps a slumber party with
the girls.
All of the surfaces in the room are covered in orange felt to help with
the acoustics, and seating on the floor has been taken care of by
Edelman Leather who custom made the beanbags.
This house, which also boasts a large private outdoor space looking
onto the Atlantic Ocean, recently won an American Architecture Award
for distinguished buildings and a Citation for Design in the AIA New
York State Design Awards. By Brendan McKnight
A house attic does not evoke images of style and chic design.
Rather, we find ourselves thinking of dark, cobweb-infested, damp and
dreary crawl spaces. We think of attics as leftover space under the
roof where we abandon unwanted stuff – outdated clothing, old books,
grandma’s hat boxes, grandpa’s hunting gear, coin collections and bags
of seashells from that long-ago beach holiday.
But as space in our urban areas is at a premium - not a square metre
can go to waste. Architects and designers are starting to see the
potential of this extra space, and offer solutions that meet the needs
of the most demanding style freaks. Sunlight, additional rooms, extra
bathrooms — it is all possible in the attic. Starchitects around the
world have made dramatic rooflines trendy, so we can all give up on our
visions of the embarrassing drywalled and pine-paneled disasters that
attics tended to morph into, every time we tried to make them livable.
Within very few square metres, designers are finding space for
sleeping, cooking and eating, and using the sloping rooflines to create
impressive skylight windows.
We can all see the delightful benefits of maximising the amount of
livable and usable space – even if it involves clearing away the
precious collections of bric-a-brac we’ve spent generations
accumulating. Ample sunlight penetrating the attic apartment means than
even nocturnal arachnids are sent packing. By Andrew J Wiener and Tuija Seipell
Paris based designer, Yahïa Ouled-Moussa,
has a way with reinventing old clothing or fabrics into funky and
functional design objects. He studied interior architecture in Paris,
but it was through a job with a French cabinet-maker who specialized in
restoring period furniture where he developed his passion for furniture
and design. Ouled-Moussa transforms sturdy, vintage French linens, army
sacks or antique porcelain tea sets into stylish smocks, small sitting
stools, and bound sculpture.
His “strap bands chair” uses old canvas belts that you may have worn in
the 1980s, (and those born in the 1980s may be wearing today), and
weaves them onto discarded, wooden chairs to create the seat and back.
The unwoven part of the belts hang under the seat or along the back,
giving the piece an added, looser dimension in contrast to the tight
weave of the front. The “strap bands chair” has been made in shades of
pinks, as well as in a mix of bright yellow, red, blue and orange.
There is also a military version, which incorporates old canvas
military belts in green, brown and beige.
Chairs can be commissioned by the piece or bought directly from his boutique on rue Nollet, in Paris’s 17th arrondissement. By Blaire Dessent
As a kid, you may recall being woken by the test sound of this symbol, after falling asleep in front of the television.
Well now, you can watch this test pattern
in a whole new way. As a great wall clock! With it's traditional title
"One Moment Please' this clock is brilliantly replicated, on glass and
is coupled by metallic hands. With T.V being 24/7 these days, this is
the only way you will get to see this old friend again! By Andy G
Do only the design-minded notice the lighting when they walk into a
room? Melbourne-based designer Volker Haug strives to ensure his ideas
are essential and deliberate features – hanging from ceilings, attached
to walls and placed on tabletops. From a young age Haug’s
preference for raw, industrial lighting design emerged.
The ‘Antler’ series primarily in black and white consists of a range of
configurations the most intricate he calls ‘Rudolf.’ And
‘Cable Jewelry,’ the long pendant, can be curved and bent to suit
personal preferences. Haug has discovered that the potential lighting
can have on our lives is limitless. By Andrew J Wiener
You are in Stuttgart and in need of a cool party space. Or maybe you
just don’t know what to do with your spare old house. Either way,
you’ll want to connect with the Berlin-based trio of architects
—Thorsten Blatter, Andreas Blödow and Georg Schmidthals — at and off . These guys have just reclaimed an old house in Stuttgart and created Die Blaue Caro (German for Blue Diamond), an ever-changing temporary club.
They call it a kitchen club and, on last look, it did indeed resemble a
kitchen slightly. Here’s how it’s done: Use blue and white tile samples
for wall and floor coverings, position cool objects on tiny shelves
jutting off the tile walls, crank up the superior sound system (by
Logitech) and invite some fun people to your funky kitchen, which of
course is the place where all good parties start and end anyways. Each
event alters Die Blaue Caro space, an idea that is typical of and off.
They use found objects and eclectic combinations of styles, and they
want the spaces constantly converted and rearranged. So, check out Die
Blaue Caro now, while it’s still a kitchen. By Tuija Seipell