Today’s demanding consumers expect even their beloved, favourite brands to step up their game. Many run-away online successes of offline brand “stunts” attest that consumers expect, and get really excited about, experiences that are unusual, fun, thought-provoking and emotionally engaging. With the power and immediacy of social media, surprising offline events and stunts have now turned into truly powerful promotional tools.
 
In 2010, TCH will launch Access Agency. It is a dedicated entity that will continue our work of creating highly original, transformational, yet eminently practical and results-oriented strategies for companies to stage the kinds of offline brand experiences that will increase the economic value of their offering.
 
Access specializes in helping brands and businesses see the world differently. We add substantial value by creating customized experiences that change the consumers’ thinking in some way. The surprise element changes the thinking patterns, and the change makes the experience memorable. People want to talk about it, tell everybody about it. And that, in turn, translates into added brand awareness and ultimately sales.

Access is hard at work creating ideas and concepts for some high profile brands. For McDonald’s, we envision a cool, surprising and fun mix of concepts. First is McFancy, an upmarket temporary McDonald’s store that launches at Fashion Weeks around the globe — London, New York, Paris, Milan, Sydney, Hong Kong. McFancy is part art installation, gathering spot and, of course, a restaurant that offers a traditional McDonald’s menu but packaged in a way that makes a playful yet stylish nod to the lifestyle of the highly desirable, influential consumers that attend Fashion Weeks.

 
Waiters in tuxedos, silver service, private dining areas, and packaging co-created with the fashion brands that present at Fashion Week — Burberry burgers, Chanel fries on black packaging, Paul Smith Sundaes...A bit of fun among the serious business of fashion. A bite of comfort food among all the elaborate cocktail fare.

 
We commissioned Amsterdam-based design firm UXUS to create the interior environment for McFancy with private dining rooms, a raised catwalk that winds around the perimeter of the space, and with a central bar area providing a dramatic focal point. The ceiling is constructed from stretched fabric, ribbed to provide articulation and define zones. The form of the ceiling is accentuated through the use of LED lighting

 
We believe that McDonald’s can have major presence at events like NY Fashion Week, movie premiers and other high-profile events by creating a space to fit that environment.

 
Collaborating with Friends With You in Miami, - Access envisioned for McDonald’s a mobile McFun Cart or McMobile. In the friendly tradition of ice-cream trucks, the highly visible McMobile brightens up the day at large sporting events, concerts, street festivals and any other events where large crowds are present — and hungry! For people waiting in long line-ups at such events, McMobile would be not only a welcome distraction, but a truly welcome chance to get something to eat that they would want to eat anyway.

 
Depending on the location and specific requirements, the cart can take the shape of just the one main car or it could become an entire fun train with various components of a meal depicted in each car. Music, mascots, staff members interacting with the crowds, and other additional activities would enhance the impact further.

 
With its bright colours and cute appearance (the illustrations were created by Dan Stafford), McMobile will be photographed and broadcast in social networks by the consumers where-ever it shows up. McDonald’s could even run a “Spot McMobile” contest online to increase the visibility. Online tie-ins with the TCH site and its savvy-aware audience would add yet another global dimension to the presence of McMobile.
 
McFancy/McMobile will be unveiled in 2010. This is just one of many concepts that Access Agency will be launching in 2010. Brands wanting to create new experiences should contact bill@thecoolhunter.net

McFancy Food created by Amy Moss from Eat Drink Chic and photographed by Marija Ikovic from Photobooth fame.

Opened this spring in Poland’s second-largest city of Lodz, the Andels Hotel has one of the most stunning entrance foyers we have seen in a while. The restored, stoic, red-brick facade hides the entrance so well that the initial impression is very strong.If you need to host a large event and impress your guests in this city, this is the place to do it. Andels has a large conference space plus the city’s largest ballroom at 1,300 square meters, and it shares its expansive red-brick domain with the best in the city’s cultural and shopping offerings.

The hotel structure is Manufaktura, Polish textile magnate Izrael Poznans’s former textile mill, now meticulously restored under strict official guidelines for building preservation. We love the interplay of old and new, square and rounded, natural and artificial, intimacy and open space.

The design concept of Andels comes from Jestico + Whiles, an award-winning design and architecture firm with offices in London and Prague, and a long relationship with the Andels hotels. This month, Andels Hotel Lodz won the Best Conversion of an Existing Building in the 12th European Hotel Design Awards.

Andels Hotel Lodz is the first four-star hotel in Lodz and the latest addition to the Andels Hotels group, which in turn is part of the Vienna International Hotels & Resorts that has more than 40 hotels in Eastern European countries. - Tuija Seipell

It seems that quite a few things will benefit from a Scandinavian touch. Munchausen, a duo formed by Parisian designers Simon Pillard and Philippe Rosetti, took a bold approach with their own kitchen by venturing to IKEA for the basic kitchen island and then spending the next week covering it with more than 20,000 pieces by another Scandinavian brand, Lego

The result is a one-of-a-kind creation that serves as an artistic centerpiece for the space, in addition to functioning as a kitchen counter. Pillard, who works with fashion house JC de Castelbajac, and Rosetti who works with Hugo Boss France Identity, formed Munchhausen in 2004.

The two have recently contributed a collection of T-shirts, cushions, wallpaper and accessories for the new French label Commune de Paris, 1871. Munchhausen was one of three initial contributors for Commune de Paris, 187. The other two were Julien Langendorff and David Herman Dune. - Tuija Seipell.

Paleoanthropologist Erik Trinkaus purports that man started wearing shoes between 26,000 and 40,000 years ago. The average American woman today is said to own 27 pairs of shoes. This is all interesting stuff if shoes are your passion — as they are for Maecenas Dirk Vanderschueren, owner of Cortina, one of the world’s largest shoe manufacturers.

To share his passion Vanderschueren created a “shoe experience” SONS – Shoes Or No Shoes in Kruishoutem (Cruyshautem), in East Flanders, Belgium, about 70 kilometers (40 miles) from Antwerp and Brussels, and close to Cortina’s hometown of Oudenaarde.

SONS consists of three collections. The Ethnographic Collection, amassed by former shoe distributor William (Boy) Habraken, includes 2,700 pairs from 155 countries and is acknowledged by the Guinness World Records as the largest collection of tribal and ethnological shoes.
 
Antwerp-based shoemaker couple Veerle Swenters and Pierre Bogaerts contributed the Modern Collection -- some 1,200 pairs acquired from artists, many of whom customized the shoes, evoking the question: Are they art or shoes? Shoes or no shoes?
 
The Designer Collection, also accumulated by Habraken, showcases unique footwear form 20th-century and contemporary designers including Salvatore Ferragamo, Christian Louboutin and Manolo Blahnik.
 
SONS is housed in a building designed and built by gallery owner Emile Veranneman and architect Christiaan Vander Plaetse in 1973. Architects Lode Uytterschaut and Johan Ketele revamped the structure for the constantly growing shoe collections. Outside, they covered the building with lead and inside, they created an unpretentious warehouse look using industrial shelving systems and almost no colour. - Tuija Seipell

It doesn’t take much imagination to understand that toys and childhood play were the guiding inspirations for the recently completed children’s sports and recreation center in Saint-Cloud, a wealthy community located in the metropolitan area of Paris, about six miles from the city center.

Designed by Paris-based KOZ Architects, and coexisting with several older educational buildings and a residential development, the 1,600 square-meter facility is unexpected and bold in its riotous use of colours both inside and out. A more typical an approach for this type of neighbourhood would have been a structure that vanishes into its surroundings.

The funhouse by KOZ has turned into a favorite of kids, parents and teachers, as the facility was planned and its wild colours used in specific ways that fosters the intended functions -- play and sports – and not just to shock or delight.

Joining cube-shaped, basic concrete structures with an overlay and creating a sports court on top of the building have not only increased the building’s usability and maximized the use of the site, but also accommodated the complex’s surprisingly easy fit into the site. A monolithic, monotonic approach would have created a mass much more imposing and seemingly unfriendly than the varying-height structure with its pixelated glass facade that now draws children in through colour and an abundance of natural light.

KOZ was established in 1999 Christophe Ouhayoun and Nicholas Ziesel, graduates of the Paris-Belleville School of Architecture who both spent part of their childhoods in the USA. With three other architectural firms, KOZ established a collaborative collective, Plan01 in 2001. - Tuija Seipell

We love a fine wine, especially when it can be ingested in as thoughtful an environment as this one. Welcome to Merus, a "designer" winery like no other. Located in the Napa Valley in California, Merus looks more like a Michelin-starred restaurant than your average cellar-door retail outlet. Exposed beams are the only nod to the past in this interior design strategy, which is thoroughly modern with a hint of Californian warmth.

Amsterdam-based Uxus Design is the architecture and design firm behind the winery. With more than a few inspiring, high profile projects under its belt, Uxus is one of the Netherlands' hottest design studios - with an office to match.



It's been a busy year for Uxus, who have unveiled a number of other great retail design projects recently including the new Heineken 'concept' bars which will open in airports across the globe and one of Europe's coolest McDonald's play areas in Amsterdam. - Bill Tikos



See also Design Wine

While the airline industry remains fiercely competitive through price wars, company's real ammunition should be found in the point of difference offered in their inflight experience. Oddly however this leverage is never taken advantage to its full potential as in-flight-experiences rarely stray away from offering a stock-standard service to their customers.

An airplane is of course transportation, and not a hotel, spa or restaurant, but we have been waiting for a long time for the first airline that is willing to embark on true differentiation. Taking cues from cool architecture, leading-edge design and the vibes we see ahead of, and outside of, trends, The Coolhunter is now working on creating truly cool airline experiences, giving premium-class passengers a real reason to select one airline over another.

Bred from the very culture that has made The Cool Hunter an international success, TCH is offering its insight in the world of trend forecasting to the airline industry to create a truly unique and progressive in-flight experience. The Cool Hunter will curate the design, aesthetics and functionality across on-board entertainment, furnishings and decor right through to re-inventing on-board shopping, all with the signature style that has placed The Cool Hunter in the forefront of style.

Airline Marketing Managers should contact bill@thecoolhunter.net for more details.

Virgin Atlantic exterior designed by TCH Design Studio

An existing subway or metro station does not give much room to creativity. Drassanes is a metro station in Barcelona’s Ciutat Vella district at the old docks of Port Vell.

The original station was built in 1968. Eduardo Gutiérrez Munné and Jordi Fernández Río, the 31-year-old partners of ON-A Arquitectura WWW.ON-A.ES, had no other option but to accept the limitations of the constricted space and make the best of it by covering the old station with new surfaces. They decided that a subway car already has everything a passenger needs and proceeded to create a station that emulates the feel of (a) subway cars. Light-weight, white glass-enforced concrete covers the vertical surfaces and a resin component helps make the white floors vibration-proof. 

The overall feel is clean and open, something that could not be said of the old station. Eduardo Gutiérrez and Jordi Fernández have completed several public and commercial projects, from hotels and bars to stadiums and zoos. They established ON-A in 2005. - Tuija Seipell

West Hollywood, California-based Clive Wilkinson Architects has completed many projects for California’s Fashion Institute of Design & Merchandising. The private college offers two-year fashion, graphics, interior design and entertainment education at four campuses Los Angeles, San Francisco, Orange County and San Diego.
 
Clive Wilkinson’s latest undertaking with the Institute was the 31,000-square-foot Sand Diego facility located on the third floor of a new, unremarkable office tower overlooking the Petco baseball park. Bold use of colour defines the various functional areas of the campus, and makes dividing walls unnecessary. Glass walls are present in almost every space, which allows light to flow freely. These are all effective ways of creating openness and visual interest while avoiding the claustrophobic, square-box feel that could result, especially in the areas located farthest from the perimeter walls with windows.

 
Sand-tone flooring and hard, angular lines link everything together, and establish an edgy, free-flowing sense of vibrancy. Visually light-weight furniture paired with heavier blocks of seating and desks bring variety without looking pretentious. Everything seems a bit temporary, in the positive sense of the word. Softer, rounded treatments in the lounge area invite relaxation and rest.

 
The Cape Town and London-educated architect, Clive Wilkinson, established his office in Los Angeles in 1991. The company has since reaped awards in both interior design and architecture, completing commercial, residential and hospitality projects. One of the firm’s current assignments is the renovation of the 370,000-square-foot Nokia House in Helsinki, the headquarters of Nokia, due to be completed in 2010. - Tuija Seipell

Mecanoo Architects is designing the city hall and central train station for its home town of Delft, in the Netherlands. The top level will be glass-ceilinged, and even the underground levels will have a feel of transparency and light. Vaulted ceilings, archways and a strong use of white and blue will lighten the visual weight of the complex that will include a 30,000 square-meter public hall. The four-year construction will begin next year.

The Dutch-born and educated architect Francine Houben established Mecanoo Architects in the mid-80s. Mecanoo has since completed an incredible variety of public and private projects, including retail stores, theaters, hotels, libraries, museums, chapels, residential neighborhoods and parks. Houben’s focus on ”sensory beauty,“ color and light has produced many spectacular buildings in Europe and around the world. Most recently, Mecanoo won the competition to design the new master plan for a central business district in Shenzhen, China. The district will include 8,000 houses and 400,000 square-meters of commercial and cultural facilities. - Tuija Seipell

You must feel comfortable being surrounded by really bright colours if you plan on studying at Tokyo's famous Senzoku Kaguen College of Music's latest addition. It is called Black Hole on the school's site, but Black Hall on the site of Terada design & Architects, the Tokyo-based architecture firm that designed it. We want to believe the school, especially when we know that one of the large studios is called Big Mouth. The Black Hole has recording studios, multimedia studios, electronic organ classrooms, PC labs, and practice studios for jazz, jazz vocal, pop and rock. In the otherwise basic hallways, intense wall and ceiling colours have become the main design element, and the way finding ' large-scale painted signage on the walls ' is the main artwork. Terada is an architecture and design studio established by the Osaka-born, 42-year-old Naoki Terada in 2003. - Tuija Seipell


 

Barcelona’s new wholesale flower market – Mercabarna-Flor – near the Barcelona International Airport was designed by Willy Muller Architects.
 
The most striking features of the new market are the multi-faceted angular roof structure and the multi-colored outer shell inspired by an aerial view of flower fields in full bloom.


 
The new complex – 15,000 square-meters of buildings on a 44,000 square-meter lot – houses three main sections, one for cut flowers, one for plants and one for accessories. The location near the airport cargo terminal is crucial to the flower business that relies on fast air delivery of fresh flowers.


 
The impressive building joins a line-up of several much talked-about new structures in Barcelona: Fira de Barcelona’s (Barcelona Fair grounds) nine pavilions and two 114-meter towers designed by Japanese architect Toyo Ito; Terminal Sur at the Barcelona Airport by Barcelona’s own Ricardo Bofill; and the Hesperia Hotel and Towers by the British Pritzker Prize winner, Richard Rogers.



 Willy Muller’s Barcelona office is led by Muller, a native of Argentina, and by Frenchman and associate architect, Frédéric Guillaud. They also have an office in Brazil. - Tuija Seipell

Many of the brutalist forms of architecture constructed under the watchful eyes of the Soviet regime in the latter half of the twentieth century sit unused or abandoned throughout various eastern European cities.  The ‘Danube Flower,’ a Belgrade landmark sited along the river’s foreshore was no exception.  Originally opened as a restaurant in the 1970s, the triangular structure built 15 metres above the river sat empty for fifteen years after the fall of Communism and during the civil war in what was then Yugoslavia and now is Serbia. 

 

The Belgrade design studio, 4of7 partnered with London-based Superfusionlab to adaptively reuse the space as a high-end gym and spa in city’s centre.  From the ground-level pedestrian esplanade, visitors enter the Wellness Sky through the central core, the sole support for the entire structure, which contains two lift shafts and a double spiral staircase.



Once inside the facilities, its namesake genuinely takes meaning.  Fitness gurus and gym junkies are immediately awash with sweeping city and river views from the uninterrupted ribbon window, which wraps entirely around the building.  During the day, light glows through the widows onto the reflective resin floor.  The faceted ceiling comprised of backlit semi translucent triangular panels allows visitors to feel as if they are exercising within a cloud.  The openness and loftiness of the design of the Wellness Sky allows members to feel nearly weightless in the very environment where burning away the excess is the ultimate achievement. - Andrew J Wiener.

123dv Architectuur & Consult is yet another award-winning – and strangely numbered – multi-disciplinary Dutch design firm. The Rotterdam-based 123dv practices architecture and interior design in a wide range of areas from residential to commercial buildings, from small-scale to huge projects.
 
A commercial project, the new wing of the Media Plaza in Utrecht, was launched with a high-tech party in October.
 
The Media Plaza is one of many conference and exhibition venues under the wings of the venerable Dutch Fair organization
JaarBeurs.


 
The Media Plaza’s new expansion involves eight meeting rooms and a main congress hall that accommodates 700 people. The space 123dv created is an incredibly flexible blank-canvas for seminars, conferences and corporate events.
 
The design emphasis is on various light sources and different projection methods. The new wing is accessible via two tunnels in which 123dv designed all surfaces to be canvases for projection, with floors and walls reacting to the movement of people.


 
Light and projection are the main features also in the foyer and in the meeting rooms. To create different moods or to emphasize event-appropriate colors, the LED-light walls in the foyer and the fabric ceilings in the session rooms can change color.
 
123dv outfitted the main hall with a 100% transparent ETFE (ethylenetetrafluoroethylene) roof to mimic the feel of an ancient amphitheatre – a meeting under the open sky. The completely white congress hall seems an ideal backdrop for events where the organizer can really allow its colors or products to pop. We can already picture the possibilities for a fashion runway show. - Tuija Seipell



 

Great surroundings will not camouflage poor programming in movie theatres. No matter how swanky the theatre, if it shows poor movies, we just won’t go. Which isn’t to say that we have given up on movie-theatre design. We still wish that one day, somewhere, someone is going to design a decidedly different, interesting and exciting movie theatre.


 
Glimpses of brilliance are visible in the new Light House Cinema at Smithfield in Dublin, Ireland designed by Dublin’s award-winning DTA Architects Of course, you really need to design – and judge – a movie theatre so that it looks and functions best when people are using it. So, having not paid personal visits to the new Light House, we cannot say for sure, but the images we have received of the empty space indicate that the play of light, colour and height works exceptionally well here.
 


Light House cinema has been a bit of an institution in Dublin. It started showing Irish, independent, foreign-language, art house and classic cinema 20 years ago, closed in 1966, and re-opened this summer in its new, customized space. The four-screen, intimate art-house cinema includes a wonderful, inviting and open cafe that looks like something you’d see at an art museum, not a movie theatre. The leader of the Light House project at DTA was Derek Tynan and the project architect was Colin Mackay.


 
The new cinema benefited from the financial assistance of The Arts Council, the Irish Film Board, and the Department of Arts, Sport and Tourism. For Dublin’s city planners, this was to be a cultural magnet and a focal point for the largest mixed-use development ever in Dublin’s inner city, the massive rejuvenation plan for the historical Smithfield Market area.


 
And if you’d like to make our wishes come true, please let us know of any supreme movie-theatre design concepts you’ve seen, designed or commissioned. We are all eyes and ears. - Tuija Seipell

See also Home Theatre and AMC Pacific Place Cinema in Hong Kong.

In most cities, strategic downtown street corners are flanked by enormous, old banks, the ornate cathedrals of capital designed to impress and intimidate. With the massive changes in real estate values and consumer banking habits, such monuments to Mammon are no longer smart or necessary. But what amazing opportunities such massive commissions must have been for the architects of the day! And what depressing alternatives we’ve experienced since! Luckily, online banking has made a bank visit almost obsolete, but when you must visit, most of the time you’ll find a boring, convenience-store-type standardized box – retail banking in the worst meaning of both words.


 
But we are starting to see a change. Several new bank design concepts are in the works, and some have been launched recently, including CheBanca! in Milan by Crea International. The concept for CheBanca! (translation: What a bank!) reflects the brand’s simplicity, transparency and innovation. When Crea International co-founder Massimo Fabbro will speak at POPAI Italia in November on the power of physical brand design to bring to life a brand's language, spirit and values, he will no doubt mention CheBanca!


 
And now that we have seen a few examples of fabulous bank design, we want more! If you’ve seen, designed or commissioned one, let us know. — Tuija Seipell

Great, aesthetically pleasing design needn't be limited to traditional architectural forms such as houses and public buildings.



Utilitarian spaces, such as car parks, present architects and designers with a unique opportunity to bring beauty and harmony to the everyday functional spaces that are normally ignored by great design minds.



We're excited to report that the tide is changing, evidenced by these good-looking car parks.



Modern design is all about "experience" and these car parks pictured acknowledge that one's experience of a private or public place begins the minute they pull up in their car. Innovative developers and designers are recognising just how crucial this is - it's almost too late by the time the consumer arrives at the front door. The "experience" of good design starts well before that.



These samples demonstrate how luminous exteriors, bold graphics and neon bright lighting all work here to create a space that is breathing, achieving the previously unachievable - giving tonnes of drab, purely functional concrete a sense of life. - Lisa Evans



Seen any other interesting car parks we should know about - send us tips





Images via TCH Platinum

Let's face it, most conventional medical interiors aren't exactly attractive. In fact, it wouldn't be surprising to discover that most people are allergic to the blandness and sterility of clinic interiors. Well the new Allied Health clinic in Melbourne, proves that it IS possible for health and design (and a bit of fun) to go hand in hand.

Accommodating the rather unusual combination of podiatry, physiotherapy, pathology, dietetics and psychology, the clinic feels like '2001 Space Odyssey meets late nineteenth century Victorian'. Designed by the Melbourne-based studio Chameleon Architecture, the interior juxtaposes elements of heritage, science and future. Ornate period details like crystal chandeliers, cornices, skirting boards and ceiling roses provide a classical backdrop. Exploring the idea of the medical as molecular, large glossy white molecules or futuristic pods are planted throughout the clinic, serving as consultation suites. Once inside the suite/pod, the mood changes again. The interior of the pod, from the walls, ceiling, floors to joinery, is clad entirely in plywood stained with a clear lacquer which enriches and emphasises the grain of the wood. So instead of looking pale under the normally cold and harsh light of clinical spaces, visitors here are instantly bathed in a warm, healthy glow without any treatment having even begun. - Jeanne Tan

The aquatic complex Les Bains des Docks  (animation here), designed by the 2008 Prtizker-prize winning architect Jean Nouvel has just opened in the historical Port of Le Havre. Inspired by the Roman thermal baths, the 5,000-square-metre complex offers an eerily beautiful atmosphere of tranquility with the fantastic play of natural light soothing the eyes, the masterful acoustics pleasing the ears, and the pools and treatment areas taking care of the rest of the body.



Although the main “colour” of the complex is white, each section’s distinct atmosphere and hue is created by flowing water curtains, colour walls, and various textures and surface treatments. Each pool — lap-pool, children’s pool, whirlpools — is designed, shaped and lit to create a unique “private space” for its specific users. These seemingly enclosed areas help minimize echoing and sound carriage — an annoying aspect of most aquatic centres - as do the varying-height floors and ceilings, and the acoustic false ceilings. Saunas, a hammam, cold and hot baths, and a spa area with hydro-massage and aquagym areas complete the atmosphere of pampering and care. An external lagoon makes the summer use of the complex even more appealing.



The Docks in the south end of the ancient port city of Le Havre are the oldest docks in France. The area is under massive revitalization with the goal of making this a leisure, culture and shopping neighborhood. When completed, the area will include residences, a large park, a tropical greenhouse, cinemas, bowling alleys and a shopping center, plus a Nouvel-designed Sea and Sustainable Development Centre to be completed in 2011. The Sea Centre will be a showcase of shipping and sailing — exploring their economic and industrial significance as well as their environmental impact on coasts and estuaries. It will be a 120-meter-high metallic structure dominating the port and it will include exhibit areas, an aquarium, a meteorological station and a restaurant with panoramic, 360-degree views of Port of Le Havre.



Nouvel’s well-known public buildings literally span the world from New York to Reykjavik, Dubai, Soul and Tangiers. Recent interesting buildings include the bright-red research center for the maker of brakes for luxury cars, Brembo, in Italy. NouveI's masterpiece for La Philharmonie de Paris will open in 2012. - Tuija Seipell

Movin’ on up, now more than ever encapsulates stunning design, impeccable service, effortless living from the time the sun rises to well after the sun sets. We’ve been noticing a rising trend in the sheer number of luxury residences - we recently told you about an exclusive collection of seaside properties in Abu Dhabi. And now from New York to Buenos Aires, and from Moscow to Beijing, we’ll reveal a few more of the coolest luxury abodes.

Many of us have been accustomed to the stylistic cues offered by W Hotels across the world — but how many of us will actually have a chance to pick up the phone from our own kitchens and receive assistance from the ‘Whatever, Whenever’ hotline? Soon, for those who jumped at the chance to purchase a W-styled apartment in one of their newest locations south of the World Trade Centre in New York City, the possibilities will be limitless.



W Residents may share the building with distinguished hotel guests in the lower portion of Manhattan, but luxury amenities such as a rooftop terrace, a fitness centre and spa in the sky, a media screening room and digital lounge, as well as a separate entrance, will be solely for those permanently living in the upper floors of the luxury tower. 



While the W Hotel New York Downtown will take up the first twenty-two floors, the upper levels have been split into furnished residences (Floors 23-30) and customised residences (Floors 33-56). Interior design exceeds expectations, even by W standards, with sleek and functional kitchen built-ins to a translucent wall from the bedroom to a ‘peek-a-boo loo.’



A bit further in the heart of Tribeca, Five Franklin Place is destined be the epitome of luxury residences. The 20-storey building will contain 55 one-, two-, three- and four-bedroom units that will be set up as duplex lofts on the lower floors; single-level city residents above; plus three triplex penthouses each with a rooftop terrace and serviced by private internal lifts. 

The building itself, designed by Dutch architect Ben van Berkell of UNStudio, will be wrapped in a series of horizontal black metallic bands — each of which ungulates as it curves around and hugs the frame of the structure. The façade is apparently a direct tribute to the original 19th-century built form of cast iron that shaped lower Manhattan — and the metallic surface will reflect light while highlighting the magnificence of the neighbouring buildings. 



The building’s façade is not merely about aesthetics, as the bands will also create shading from the daylight, deflect heat, and guarantee every residence will have the highest degree of privacy, and simultaneously frame unparalleled views out across Manhattan. 

The Loft Residences on the levels have a double-height living area that maximises the light entering the space. The height of the great room continues on through a gallery where a white lacquered library wall ascends up into the second level. 



The upper-tier City Residences feature integrated terraces off the main living areas, and all units are custom-fitted with B&B Italia kitchens and built-ins throughout. The master bathrooms feature a circular sliding wall that allows the bathroom to become part of the bedroom and share its spectacular city views. 

And for those at the top, the five ultra-luxurious Sky Penthouses are unmatched in practically every aspect. Again, B&B Italia has masterfully crafted the space, including the kitchen.  Sweeping views from every room, even the master bathroom, automatically heighten the occupants’ awareness of their place in the cityscape and the surrounding environment. 



The skylines of our cities are rapidly changing — ingeniously designed buildings are competing for our attention. But architectural beauty alone is not going to provide the type of service we’re growing accustomed to expecting after spending millions on luxury lifestyle. We feel that the rise of luxury residences has only just begun — and we want to know all about it. If you are aware of luxury residences we should investigate, please let us know. By Andrew J Wiener.