What a cool ride so far!
The Cool Hunter was born seven years ago. I never thought it would lead to what we have today.
It started as a newspaper column and, surprisingly, grew quickly into a globally syndicated column.
When TCH went online, the number of subscribers and readers it drew immediately was astounding. There was clearly a pent-up need for the type of material we were featuring.
Our enthusiastic readers were not just regular people, but editors and reporters from all other media, as well as brand managers, marketing executives, CEOs, designers – professionals whose job it is to know about, and create, innovative ideas, cool products, exceptional communications, fantastic events.
Over the years, well-known brands started contacting us for help and ideas with advertising and marketing.
Our daily exposure to literally hundreds of brands, designers, architects, artists, ideas, design images and PR material has given us not just a super-solid view of what is out there and what stands out, but also access to the best talent in the world.
Of course, most of what we see is not remarkable. Which is why we knew there was yet another niche, and we established ACCESS agency to meet those needs, to help brands stand out from the mediocre, boring sameness.
Mini Pram and Supermarket Trolleys
Since those times, we have worked with great brands, from Swarovski and Gucci to Nike and Mattel.
We do not always showcase all of ACCESS’s work here, but we wanted to show you some of the fun ideas we’ve created for the many Mini offices that have contacted us over the years.
It has truly been a cool ride so far! - Bill Tikos
Mini Rickshaw Tourist Bikes in Athens
Mini Indoor Drive-In Cinema to launch the Mini Countryman in Italy
See more at Access Agency
We love the way Bangkok University has been branding itself as a Creative University during the past few years. One method they have chosen to do this is to re-imagine and re-allocate the space so that the students will want to spend time on the campus, not just studying but enjoying themselves.
As before the university retained Bangkok’s Supermachine Studio, led by Pitupong (Jack) Chaowakul, to create the Student Lounge (formerly allocated for teachers) at the Rangsit Campus, located north of Bangkok.
The new configuration for the lounge was completed in March and includes about 1,000 square meters (about 10,764 square feet) combined on the ground floor and mezzanine.
The ground floor area is designed as a flexible hang-out space that can be reconfigured for studying alone or in groups, resting, meetings and so on, using the porous, mobile “ribs” as walls.
The mezzanine level is a fun and games zone. It includes a pink polka-dotted Karaoke hut, teetering off the “cliff” and about to fall off onto the reading cave below. Students sitting on the massive modular sofa in the reading cave can clearly see their fellow students performing in the Karaoke hut.
The game zone includes a huge pool table with mobile holes, a giant dart board where no-one can miss the bulls-eye, a music rehearsal room that is like a little house with one wall hinging open, plus a gossip corner and a Kungfu zone.
Many of the components in the space are meant for the students to change and reconfigure, including the 400- bottle chandelier and the gigantic panda that could be painted in the future to resemble other characters, animals or creatures.
Inside the 6,5-meter high panda is the spiral staircase connecting the ground floor and mezzanine. Students enter the staircase from the backside and exit from the back of the head. The mouth of the panda is a window.
The columns dotting the ground floor are currently white, but the students are expected to paint or decorate them as well. In addition to Pitupong Chaowakul, the design team included Suchart Ouypornchaisakul, Nuntawat Tassanasangsoon, Wattikon Kosolkit, Santi Sarasuphab and Supanna Chanpensri.
- Tuija Seipell
The Capsule Lamp has captured our imagination. The intriguingly interactive lighting fixture gleans its idea from the plastic toy capsules of vending machines.
Initially, the Capsule was designed by Hong Kong-based Design Systems Ltd for the Actif children’s wear brand, but it has now taken on a life of its own giving tinkerers and creatives another reason to customize and make it their own.
The main structure of the ceiling pendant is made of stained oak, and either without the capsules, or with just the empty capsules, it looks rather coolly Scandinavian.
But the fun starts when you attach the little plastic capsules – in any combination and quantity you like with all sorts of little treasures in them.
While the fixture comes with a set number of toys, we can envision hiding our own little personal items in the capsules. Or customizing each fixture for each room, with specific themed contents for the capsules? Flowers for one room, office supplies for another, jewelry for the next, sewing items and buttons for yet another. And what about an office or any other work place where team members get to decorate their own fixture above their work areas?
We think we’ll just keep the Capsules for ourselves and never let kids near it. - Tuija Seipell
It is time to save inflatables from death by boredom, and elevate them to must-have designer experiences! We are talking about enhancing the way adults enjoy playing in the water, although even kids will find a designer inflatable quite a refreshing experience!
What if a designer hotel or resort had amazing, on-brand inflatables in the pool, or on the beach, available for guests to enjoy, take pictures of, share with their networks?
We are looking for architectural, playful, cool, imaginative, never-before-seen designer ideas for inflatables. Show us what you can do. Show us how far we can take this unexplored water experience and we'll manufacture them.
An entire new water surprise waiting for guests - what can we do to WOW them?
Please send us your design ideas including 3d renderings by the end of May, 2012.
What we are looking for specifically is an inflatable for one or two people. We are in search for the best design idea for a practical but awesomely cool water accessory that will make you want one as soon as you see it floating in a pool or on the beach.
The inflatable must fit into the vibe and atmosphere of a five-star resort – we are looking for something super-cool, sculptural, desirable.
The winning design, if and when manufactured, will earn the designer a royalty from each sale of the inflatable.
The design competition is open to all designers, industrial designers, graphic designers, illustrators, architects etc -
Even those who are afraid of flying might enjoy the experience of piloting a Boeing 737 at the simmINN Flight Simulation Center in Stuttgart, Germany.
The reason for our confidence is two-fold. One: The aircraft does not leave the ground as the full-size replica of Boeing 737 with its Learjet 45x cockpit are firmly indoors. Two: The outside of the plane looks so cool that you will forget your phobias and just want to hop in and fly!
Frankfurt-based architect Boris Banozic is responsible for the concept, interior and graphic design of this center that is open to the general public. Yes, you, too can book a two-hour flight, piloted by Captain You and no crew! Now, if only an airline company picked up this concept as their head-office design, then we would be really impressed. - Tuija Seipell
FieldCandy tents do not give you camouflage protection in the natural setting, nor do they help you blend in with the rest of the crowd at the campsite. FieldCandy tents are designed to stand out.
When we saw the first images of these limited-edition designer tents with their cool flysheets, we had to really stop and think. Is it true that no-one else has manufactured these types of tents for sale before? We have seen individual pieces displayed as art, but we had not seen anything quite like this.
It was one of those moments when you think: Why have all tents always looked pretty much the same? We customise everything else, why not tents? And even more remarkably: Why have we been satisfied with those boring, standard tent colours for so long?
So, through a two-year development process, Jersey, UK-based FieldCandy has created what we did not know we needed. Until now. They selected a group of 20 or so artists and designers – photographers, graphic designers, illustrators, branding and advertising designers – to create designs that were then transferred to the ultra-light, waterproof flysheet that covers the two-person tent.
They now offer more than 40 different designs by 18 artists. The designs are grouped in several collections. In The Legend Collection, for example, includes Terry Pastor’s black design with psychedelic guns and Philip Gatward’s blue and yellow parrots on a grey hued background.
On the FieldCandy website, a counter next to each design indicates how many of that design are still left. Each tent comes with a label that shows the edition number and the design name. Prices range from $430 for the black FieldCandy signature tent to over $1,000. FieldCandy ships around the world The tents are available exclusively through the website. - Tuija Seipell
Those in the market for a megayacht are already familiar with the 70-meter (229-foot) Numptia. There isn’t a luxury yachting magazine on the planet that hasn’t noticed it. Some at the upper end allocated as much as 25 pages of opulence-oozing imagery and painstaking scrutiny of every minute fact to this steel-hulled, aluminum-structured floating residence.
And those who didn’t get enough of Numptia in the printed media, had an opportunity to view it at the 21st Monaco Yacht Show in September, where it was hailed as one of the highlights among the 100 top meagayachts from around the globe.
The vessel launched in April in Genoa, after a three-year building process. It was completely custom-built for an unnamed Italian-born American businessman who wanted it for his multi-generational family.
Two specific things about Numptia have attracted the interest of the yachting world. Every aspect of Numptia was custom-created with the highest, most exquisite quality of design, materials, craftsmanship and functional performance. Even in the megayacht circles, this kind of grandeur and obsessive attention to quality and detail are rare.
The other unusual aspect is the fact that the owner selected a relatively unknown shipyard, Rossinavi Yachts of Viareggio to build it, and a little-known designer Salvagni Architetti of Rome to design the interiors.
Working closely with the owner, Achille Salvagni combined modern sensibilities with touches of traditional luxury to achieve a timeless feel of well-being. Every piece of furniture, every surface treatment, every doorknob and hinge was custom-designed for Numptia. Silk carpets woven in Tibet, solid marble in the steam bath, quartz floors in the galley, and an oval dining table covered in riveted alpaca nickel silver are just a few examples.
Exterior design of the vessel was completed by Design Studio Spadolini of Florence.
Numptia features lavish rooms for up to 12 guests and includes an impressive master suite, a VIP suite, three queen-size double cabins and one twin stateroom. The owner’s suite includes a bedroom, TV area, reading room, his and hers dressing rooms and a bathroom with the solid-marble bath. Numerous common areas, sundecks, a spa deck plus crew accommodations and all behind-the-scenes space complete the spacious picture.
Numptia is available for charter through Burgess for about $646,000 per week, and for sale for an undisclosed price, rumored to be around $85 million. - Tuija Seipell
Korean architect Eun Young Yi’s proposal was selected in 1999 from 235 competition entries as the plan for the new central library of the City of Stuttgart.
The building of the 80-million Euro (about $108 mil. US) Stadtbibliothek am Mailänder Platz began three years ago and the opening ceremonies took place last month.
Yi has created a monolithic cube with two floors underground and nine above. Essentially all of the building, both inside and out is white. The main library floors circle an open-plan with the levels connected by open staircases. Books line the outer walls of each floor.
As a cool nod to the fact that the building is a storehouse of words, the word “library” is installed in four languages on the outside walls. On the North wall in German (the local language), West in English (lingua franca), South in Arabic (the language of ancient knowledge and of Stuttgart’s sister city, Cairo) and East in Korean (Yi’s native language).
Yi’s company, Yi Architects is based in Cologne and Seoul. Its work includes public projects ranging from museums and universities to offices and city plans. - Tuija Seipell
Here at TCH, we started ACCESS agency for the sole reason of giving brands the opportunity to be BOLD, to do something more than what is safe, more than what is easy, more than what is comfortable, accepted, standard, just good enough.
We are excited to work with brands around the globe who seek us out for that reason. They ask us to shake them up a bit, create something unboring, something truly DIFFERENT
Those in the creative and even in the marketing fields will recognize the syndrome we are fighting against: Everyone wants a great idea. A great idea is found. Everyone is ecstatic. The idea goes through the system, though the layers of approvals, discussions and hesitations, and comes out unrecognizable, ordinary, safe and boring. We see this happen over and over.
Companies that do not have a Steve Jobs-like creative visionary at or near the top, have extreme trouble getting innovation of any kind approved or produced. Bold ideas just do not survive the system.
Recently, we were approached by Sephora’s great team because they had seen our work with MINI car wraps.
Sephora wanted to launch a same-day delivery service for online cosmetics sales in New York. We designed a series of six different head-turning MINI Cooper wraps for their fleet of six vehicles. We were going for bold designs that will really stand out in the busy New York street scene, among the taxis and delivery vehicles. We were gunning for big impact and quick recognition, immediate attention, a bold and cool vibe, something that would generate on-street buzz, even with only six vehicles.
They loved the ideas but in the end asked us to design a black-and-white style that was on-brand. We were sad to see the boldness gone. The black-and-white MINIs have been on the streets since July. - Bill Tikos
Shanghai’s shiny new Museum of Glass opened last week as part of Shanghai’s campaign of becoming a globally important cultural and creative centre by launching 100 museums in a decade.
Shanghai-based German architectural firm Logon handled the architecture and exterior of the museum. Germany’s Glashütte Lambets supplied the enameled glass used for the museum’s façade inscribed with glass-industry terms in ten languages.
COORDINATION ASIA, also based in Shanghai, was in charge of the overall museum concept, art direction, design and supervision of the museum interior. It was also the chief consultant for curation, marketing and operation, as well as coordination of an international team of architects, artists, designers, filmmakers and multimedia specialists.
COORDINATION’s Tilman Thürmer tells TCH that they used black lacquered glass for the interior (cases, floor, furniture, walls), but left the existing structure untouched. The museum building is a former glassmaking workshop, one of 30 former bottling-plant structures that the Shanghai Glass Co. still owns.
The black, sleek glass of the interior reflects the LED lights and screens positioned throughout the space, creating a shiny and glittering multi-dimensional feel. This emphasizes the interaction, interdependence and influences of periods, continents, materials and peoples involved in the art, craft and industry of glass.
The design of the space and exhibits and the use of various media help create an interactive and participatory museum experience where the visitor is directed through the story of glass.
“Designwise, we wanted to create a piece of black crystal glass. Sparkling, reflecting, sleek and deep,” Thürmer says. - Tuija Seipell.