Fitzroy High School has a long history in Melbourne. The government school closed in 1992 but it re-opened in 2004, after an 11-year campaign by parents and residents. In 2009, its senior students gained an exciting new building, designed by Melbourne-based McBride Charles Ryan who we have featured previously.

 
The school’s philosophy of innovation in education is reflected in the striking new building that connects with a cluster of older school buildings, some more than 100 years old. The new building’s exterior walls are deliciously wavy and painted in stripes of secondary colours, all of which helps the building both blend in and stand out.

 
Inside, the studio spaces had to remain extremely flexible and their configurations had to be easy to change by staff. The solution is deceptively simple: Bright-colored drapes and splashes of color that define a space. The school brought McBride Charles Ryan the 2010 Grand Prix at the Dulux Color Awards while the interior won in the Commercial Interior category. - Tuija Seipell

For a comprehensive visual presentation of schools/universities with thousands of visuals to excite you, contact TCH Platinum. Schools wanting to see ideas and concepts in how to design super cool educational environments effectively, contact our marketing agency, ACCESS AGENCY.

Perhaps out of necessity or just for a sad lack of creativity, architects and designers of kids spaces - kindergartens, schools, playgrounds — have been obsessed with durability, cost-savings and maximization of space.

 
For so long, a tiny nod to fun and play has sufficed. A few splashes of colour and some clunky plastic structures have made a depressingly boring space supposedly suitable for children. Yes, money is often the main barrier, but it certainly cannot be the only one. We have needed a change in how we design for kids and we think this change is happening.

 
Kids’ environments are slowly getting more serious consideration in terms of design, innovation, creativity and groundbreaking solutions. We have also noticed, that adult work spaces have started to resemble kiddy play rooms with flexible and crazy-creative work areas, lots of colour, fun details. The result of all this? We now see kids’ play spaces that look sophisticated yet fun, AND we see adult work spaces that fit the exact same bill. Soon you won’t even notice when kindergarten ends and work life begins!

 
A recent example of a sophisticated and creative private kindergarten comes from Israel. The cool, Bauhaus-inspired building is located in Tel Aviv metropolitan district’s upscale, mainly residential neighborhood of Ramat Hasharon that is also known for the Israeli Tennis Centre and the Rimon School of Jazz and Contemporary Music.

Tel Aviv-based Lev-Gargir Architects designed this space with Bauhaus principles in mind in both floor plans and elevations. The usual requirements — safety, flexibility, good light — are all well met, but what we like is the sense of light and airy freedom.

 
The slightly Scandinavian sensibility is a beautiful change to the visually busy sensory overload that is often offered at the other end of the spectrum of new children’s spaces. This makes the lovely statement that a stimulating, creative environment for children does not need to scream. Children themselves provide the colour, movement, sounds and action, and the quieter, calmer surroundings leave room for the kids’ own creativity.

For this project, Lev-Gargir Architects worked with the well-known local children’s interior, furniture and toy designer, Sarit Shani Hay, whose details and playful touches in furniture, materials, colours and accessories express an understated respect for children. Nothing is in your face, aggressively demanding attention. Shani Hay is a graduate of London’s Chelsea College of Art and Design. She opened her Tel Aviv studio in 1995.

 
Lillach Lev and Elan Gargir, both graduates of Haifa’s Technion (Israel Institute of Technology), established their practice in 1999. Lev-Gargir Architects works in a variety of projects from private residences to commercial buildings and retail environments. - Tuija Seipell

Just over a year ago, the former municipal mortuary at 104 de la rue d’Aubervilliers in the 19th arrondissement of Paris was transformed by Atelier Novembre into Centquatre, one of Europe’s largest artists-in-residence complexes.

There are no traces of what went on in the red-brick buildings before — coffin making, hearse repair and other such grim undertakings — it is now a place that exudes joy and play. Prolific and always fun Parisian designer Matali Crasset has now created a special 1,500-square-foot space for tiny artists as well. Maison des Petits (House of Little Ones) is an activity center for kids under six, where creativity and discovery are the only goals. Centquatre’s resident artists are encouraged to create toys and activities, but there is no set program.

Crasset’s colourful, surrealistic garden has a cozy and soft “navel” at the centre for the littlest ones to crawl in and for older kids, whimsical “activity mushrooms” and fun seats that look like gas cans or curling stones. - Tuija Seipell

Kids have boundless imaginations. No matter how poor, colourless and toyless their environment, they’ll find a way to play. They will play with stones, twigs, grass and water, and they will play with each other. They’ll think up ways of turning mundane items into creations that have all the life of the latest computer game.

But only if they are lucky enough to have the free time to play, are not too hungry to move about, or have water to play with.

In this light, what our urban kids have available to them, is excessively abundant. They have daycare and play spaces, parks, playgrounds, even yards. Yet, when we look at the basic play environments in our communities, there’s no denying that they are sadly short of what they could be. With some colour, imagination, labour and resources, they could all be so much better.

There are wonderful examples of this, such as the recent “accidental” kids’ park at Madison Square Park in New York. It is an art installation by artist Jessica Stockholder, commissioned by the Madison Square Park Conservancy.

The installation includes a multicoloured triangular platform, a sandbox of bright-blue rubber mulch, multicoloured bleachers and painted pavement. It was not intended originally as a children’s play space, but kids have taken to it like crazy, surprising both the artist and the Conservancy. The lesson we can learn from this is that if we point our resources in the right direction, the result can be infinitely fun and rewarding for everyone involved.

We spend millions annually on "adult playgrounds" — stadiums, concert halls, bars, restaurants. We spend billions advertising and promoting them. Why is it that we do not seem to want to dedicate the necessary resources to give our children the best we can offer?

Every dedicated kids’ arts organization will be able to point you to reams of research reports that show that early access to arts and arts education aids children in all aspects of their lives later on.

They will build self-confidence; discover their abilities, skills and talents; and in the best of circumstances, they will grow to be fantastic contributors in their communities. Yet another reason to make sure our kids live and play in environments that are rich in creativity, arts and inspiration.

If this generation of children is going to be responsible for solving the problems of a world where children are still too hungry to play at all, then we should be paying closer attention. We should be giving our kids — regardless of their resources — all the support and inspiration we can.

Anyone with creative ideas, energy, staff and money, can give to kids in his or her neighborhood. Who knows what could happen, if we as individuals, companies and cities paid as much attention to our kids’ play environments as we do to our own? - Tuija Seipell

For a comprehensive visual presentation of schools/universities with thousands of visuals to excite you, contact TCH Platinum. Developers wanting to see ideas and concepts in how to design super cool educational environments and playgrounds effectively, contact our marketing agency, ACCESS AGENCY.

 

Learning to ride a bike is one of the most valuable skills a child can learn, helping them master the art of balance, a skill crucial to so many other physical activities and sports. UK based Kiddimoto has created a range of cute-looking wooden bikes which are designed to teach young children precisely that - balance. The slimline, lightweight birch plywood bikes are easy steer and manoeuvre and feature proper rubber tyres, providing a smooth ride for little bottoms by gliding across outdoor surfaces.

The Kiddimoto range comes in four styles, each based on a motorbike classic. From the 'Scooter', inspired by the mod scooter of the 60s, and the 'Chopper', a nod to future Easy Riders, to the Super Bike, based on real race bikes and the Srambler, a more traditional bike shape - the range has something for every dad, we mean, kid to get into. Now there's a thought. Do they make them in adult sizes? - Lisa Evans 

We feel no sympathy at all for any kid in Berlin who complains about school if their school is Erika-Mann Grundschule II . Not only do the principles of their school seem like they were actually created for children, the school’s recently revamped environment is amazing – perhaps not surprisingly as it was designed by the kids themselves with Baupiloten, a group of architecture students.


 
Some time ago, we wrote about Taka-Tuka Land Kindergarten which was also designed by the same Baupiloten studio. It is a group of architecture students at the Technical University of Berlin led by architect Susanne Hoffmann who founded the studio in 2003.


 
Baupiloten projects allow the architecture students to experience all facets of a real-life project, from design to budgeting, cost control and site supervision. The students also learn to present to clients and to convince them that their solutions are viable and practical.
 
A group of just under 10 architecture students worked on the Erika-Mann Grundschule II project. The kids who are using the space participated actively in the design process, giving the architecture students their views on how they will actually use the space, how it should function and what they’d love to see in their school.


 
Together they sought to lighten and cheer up the heavy and authoritarian air of their old school building from 1915. They developed a playful concept based on a fantastical world of the Silver Dragon. The farther into the building one moves, the stronger one feels the presence of the Silver Dragon whose spirit changes, moves, glows and shimmers.
 
The different spaces are called Snuffle Garden, Snuffling Room, Chill Room and Dragon’s Breath, each starting with a clean white background and offering freedom of expression in the form of flexible furnishings.


 
The Chill Room located on the third floor includes one and two-person seating platforms covered with foam, tarp and various textiles. Meter-high petals protect each pedestal creating little isolated cocoons, each of which is also moveable and changeable by the children depending on what they wish at the time.
 
The Snuffle Garden on the second floor is furnished with horizontal and sloping surfaces for sitting, lying down or sliding. No wonder that the school was named one of Germany’s best schools at the end of 2008. - Tuija Seipell


 

ArcheToys designed by Floris Hovers may be toys but kids do not need to get excited. Adults are going to scoop them up, now that they are apparently available - although we are not yet quite sure how or where we could buy them.
 
Hovers was born in 1976 in Raamsdonksveer in the Netherlands and graduated from the Eindhoven Design Academy in 2004. The first ArcheToy was an ambulance that Hovers created for his little cousin. The simplicity of the cars from the 1950s and 1960s charmed and intrigued Hovers and so he began to craft a fleet of specialty vehicles. They are archetypes of uncomplicated, recognizable form; toys for adults minus tiresome macho undertones.
 
Hovers introduced ArcheToys to the world at the November 2007 Dutch Design Week in Eindhoven. His intention of designing furniture has now been sidetracked as these little things have taken off the way they deserve. More than 40 strong and growing, the ArcheToys fleet includes several that we simply must have — especially the hearse, combine and ice-cream truck. - Tuija Seipell

One of the easiest ways to make a boring space more vibrant is to use colour. However, as so many of us can remember, obvious opportunities to do this have been missed for decades in schools, universities and hundreds of other places where young people are more or less stuck for long periods. Luckily, today’s kids have better luck – at least in the schools where Amsterdam’s i29 has had its say.


 
i29 Interior Architects consists of two interior designers – Jaspar Jansen and Jeroen Dellensen – and is known for clear, bold solutions. A good example of this is their custom furniture project for a Het Veer. It is a public school in Almere, a city located 25 kilometers east of Amsterdam and often referred to as the most modern city in Europe. Het Veer is a school for children with learning and concentration difficulties and the objective of i29’s work was to express and entice concentration, playfulness and movement. Their eight different white and red tube furniture pieces can be mixed and matched creating various formations. They play off the Buzz Wire science game that teaches about electric circuits and is based on concentration and hand coordination.


 
At the Caland Lyseum in Amsterdam, 1,500 students work in a sport-centric environment where they receive coaching for their specific sport and in academic topics. i29 was asked to envision  the public spaces – including the main hall, staff room, library and computer/media room – for the new Bos & Partners architects-designed building with its gray brick, glass walls and unusual floor plans. They used large images of the school’s famous sports hero alumni and then custom-created multi-functional tables, benches and signage, plus a color scheme for the common areas. The award-winning solution matches the dynamic and multicultural life of the school yet lets the buildings features dominate. - Tuija Seipell

These cool images are from the fabulous Kinderdentist in Berlin. Designed by Brad Pitt’s favourite architecture firm, the super-creative and multi-functional GRAFT, this is the kind of place that makes us want to be kids again. Never thought we’d say that about a dental office, but what can we do? And why exactly is it that adults’ dental offices don’t look like this?


 
Kinderdentist is an underwater world of play and adventure with a 12-foot visual wave drawing the guests into to world of blue hues and pixilated schools of fish. You feel as if you were under water, in a submarine, just waiting for exciting things to happen. And yes, kids’ teeth get fixed there, too.


 
Originally established in 1998 in Los Angeles by German architects, Lars Krückeberg and Wolfram Putz, Graft expanded in 2001 when third partner, Thomas Willemeit, opened the Berlin office, and fourth partner, Gregor Hoheisel, established Graft in Beijing.
 
Now perhaps best known for its collaboration with Brad Pitt, Graft has always pushed the boundaries of mere architecture and is known for an enormous breath of projects. Architecture, interior design and art concepts, urban design, “eventing,” film and video projects, music, car design, commercials and exhibitions are just some of the things the prolific team has completed globally. Its architecture and interior design practice extends the breath of the field as well from furniture schemes to concept design of hotels, restaurants, clubs, offices, institutions, residences.


 
In the media, Graft is often labeled as something other than a ‘global architecture firm’� – including a rock band, a hippie commune and a bunch of eccentrics – and it seems that this is exactly what the partners like to hear. Willemeit has been quoted as saying that “In L.A. we’re these crazy German guys and in Berlin we are not accepted into the Berlin architecture mafia – we’re cowboys. - Tuija Seipell

To many of us it seems like advancements in technology are moving at an extremely accelerated pace, but to those who are following in our footsteps, the rate of change could not be fast enough. For some school children in Camden outside of London, Gollifer Langston’s prototype transportable Classrooms of the Future will deliver information and communication technology (ICT) on a flatbed truck in the form of an oblong gray pod capable of providing a sufficient ICT facility that many schools are unable to install within their own environments.

The mobile classroom will move from school to school, and is designed to hold 15 students at a time.  Once the pod is delivered, a set of hydraulics expands the unit wider, and creates an entrance as well as a stage and a small-cinema-sized screen for presentations and performances.  The work space will provide mainly high school students a place to explore music and filmmaking. The Classroom of the Future will have capabilities of adapting for additional needs as technology races beyond what even the next generation can predict. By Andrew J Wiener

Yummy! Wow! Ooops! The playful, colorful and juicy Taka-Tuka-Land kindergarten in Berlin evokes a rambunctious reaction. You hear the kids at play. You see the bright colors. You sense the kids are happy. So it is no wonder that the students who designed and created this funhouse call their approach “sensuous architecture.”



Baupiloten is a group of architecture students who during their studies at Faculty VI, Institute for Architecture at Berlin Technical University (Technische Universität Berlin) develop their own projects from concept to implementation under professional guidance. Architect Susanne Hoffmann founded Baupiloten (Bau=build, Piloten=pilot) in 2003 and has headed it since 2004.



The Taka-Tuka-Land kindergarten was originally erected as a temporary solution, but with the fantastic Baupiloten approach to the refurbishment, it has become a permanent place for children.
 
The Taka-Tuka-Land is part of the Pippi Longstocking lore created by the Swedish author Astrid Lindgren. Pippi in Taka-Tuka Country is a movie based on one of her novels. The children at the kindergarten and their teachers created collages, models, drawings and ideas based on Taka-Tuka Land with bridges, huts, merry-go-rounds made of blossoms and thrones made of seashells. The Baupiloten students then spent several days with the children observing their daily routines, their schedules and their ways of communication.



From this extensive groundwork, the design story for the space was developed. The building itself is Pippi’s old oak tree that contains a lemonade factory. The lemonade breaks through the bark of the tree and flows outside creating padded play areas. The story of the building is a trip through the seven stages of the lemon tree, each facilitating a different activity: The lemonade tree, Glittering lemonade in the sun, Lemonade drops, The lemonade island, Waiting for the parents, Lemonade gallery, The bark breaks open, and Delving into lemonade. Pippi’s most likely verdict would be “Jätte god!” By Tuija Seipell.

Ask a child what their favorite subject is at school, and chances are they’ll say recess. It’s the one time during the day when they are almost absolutely free to make decisions for themselves — from who to play with, what to play, and where to play. And as children grow, the social dynamics of who can play where shifts and an age-based pecking order ensues. 

The Netherlands-based design team at Carve integrate architectural expression into their playground design thereby generating unique play experiences for children of all ages. Don’t let the kids know, however that the Carve team strives to encourage a cognitive process — even during free time. This new equipment and play structures stimulate decision-making, group and continuous play (use of the same equipment in varying way) encouraging children to climb, hang, swing, skate, slide, run, jump, vault, hide.



One of Crave’s creation in particular, the wall-holla, has received special notoriety as it was nominated for the Dutch Design Awards in 2006.  Thirty children at once can climb, crawl, roll and maneuver through the large fence-like structure. Older children are able to scale the climbing wall or just relax and look out over the domain they’ve waited countless years to control. By Andrew J Wiener.

Poetry and storytelling help us understand the world that surrounds us. Visual imagery allows the mind to draw parallels between what we see and how we think. Dutch designer Jurgen Bey has created a classroom that will inspire young minds to think beyond the realm of what is traditionally asked of school children. 



The classroom interior project is part of the ROC training school at Apeldoorn in the Netherlands. Practically every surface of the room is covered with images found in books used at the school.  Centred around a palate of white and grey, Bey selected graphics then placed them around the space on walls, furniture and even the floor. Moveable screens allow the room to open completely or divide space depending on the activities taking place. 



One key feature, the highly wear-resistant flooring system made with Senso Freeze, contains a transparent resin that allowed Bey to embed digital photographs onto the surface.  Inspiration and creativity seeps from every surface - it's impossible to imagine what will be generated from the minds as they pass through this space. By Andrew J Wiener

Let's just all rewind the movie of our lives a bit and go back to school. We at Coolhunter are thinking of heading to University of London's Birkbeck College and finding our way to the classes at its Film & Visual Media Research Centre.

You cannot tell from the outside that the odd set of buildings at London's Gordon Square offers anything remarkable at all. The older building does have a pedigree - it is the former home of both Virginia Stephens (later Woolf) and economist John Maynard Keynes. The drab 1970s extension to the building does not even deserve another look. Except inside.



Award-winning London-based Surface Architects won the competition to create within the buildings the permanent home of the Film & Visual Media Research Centre. Surface transformed the basement, ground floor and the extension into a unique state-of-the-art 80-seat cinema auditorium, surrounded by a media study suite, seminar rooms and offices.

Ian Christie, Birkbeck's Professor of Film and Media History, describes the exciting new building “...the new cinema auditorium - already being referred to as 'The Screen on the Square' is as soberly dedicated to ideal screening conditions as the surrounding break-out spaces and stairway are an exuberant display of pure form and colour. In fact, Surface's extraordinary projection of intersecting cones has various filmic associations: the jagged angles recall the Expressionist set design of The Cabinet of Dr Caligari, an influential German film of 1921; and the lurid colours evoke Andy Warhol's silkscreen portraits of film stars.”



Key players at Surface are Richard Scott, who formed it in 1996, and Andy MacFee, who joined Surface in 2001 as director. Both have worked with Will Alsop and other notables. Surface is also one of 47 practices worldwide selected to work on the Athlete's Village for the London 2012 Olympics. By Tuija Seipell

Forget your traditional definition of an amusement park, Wannado City leaves behind the cotton candy, the solicitors of large stuffed animals, the mindless entertainment and trash. Instead the “city”� has redefined child entertainment with aspirational activities, all of which are framed around the question: “What do you wanna do when you grow up?”�



Wannado City was crafted from the vision of Mexican-born Luis Javier Laresgoiti, who had a eureka moment while watching his daughter “play executive” on his business phone. Laresgoiti, with the backing of several major corporations has crafted a dream world where children are encouraged to take on an adult profession and see where it takes them. The park is located in Sawgrass Mills Mall in Southern Florida.



Each venue has its own concentration, such as the Motorola-sponsored M-Lab that focuses on innovation and invention. The M-Lab turns each visitor is given a white lab coat and transformed into an “M-Ventor.”� The children are encouraged to work together on a technology-based game to solve a difficult problem. Once they’ve solved the situation at hand, they’re greeted with a congratulatory “Mission Accomplished”� banner.



M-Lab however, goes far above and beyond the standard protocol for children’s playthings. The space was designed in collaboration with Motorola and Gensler, a self-proclaimed “global design, planning and strategic consulting firm.” The M-Lab lures passer-bys with its façade — clad in stark aluminum and panelite — which contrasts with the surrounding “quaint village” motif. Inside there are seven chambers, each meticulously designed depending on the room’s task at hand. The end result is a realistic series of rooms that embrace each child’s fantasy of becoming the next influential innovator. By L. Harper

We’ve been running into amazing walls recently (not literally, of course, or at least not physically) and this is giving us reassurance that “contractor beige” is not the only wall colour imaginable or acceptable. So, you can imagine the grins on our faces when we discovered E-Glue. The 3 month old French based company started by designers who create super-fun wall adhesives for kids rooms. The creative duo create all the illustrations and hand-make all the products. They ship worldwide but we see no reason to spoil the kids with such extravagance. We are ordering some for the office. By Tuija Seipel

How much fun can you have around a product as un-fun as a radiator? Lots, apparently. Just check the Jaga Radiator Factory website. From the amazing chocolate sculptures at Zona Tortona Design 07 in Milan to massive desert art at Burning Man to the latest Jaga Experience: The Jaga Experience Truck, Jaga is really taking the concept of product promotion to another world.



Built on a Mercedes Actros platform, and designed by Arne Quinze the truck looks somewhat like a milk truck that’s about to become a massive light fixture. Inside, a VIP lounge with white leather furnishings by Moroso, a projections room, kitchen and shower will take care of your comfort. Quinze designs furniture for Moroso in addition to designing under his own label. He’s known for example, for his first collection, Primary Pouf, of 1999 that still sells more than 15,000 pieces annually.

Through the Experience Truck’s 182 windows, the magic of the multicolor LED lighting system (of one mile of LED strips) creates an ever-changing collage. A Dolby surround sound system inside and 4000 Watts of Bose sound power outside guarantee that your ears will have an experience, too. To find out what goes on inside the truck, you just need to leave your computer screen and go where it is (in Milan at the moment) and have a Jaga Experience. By Tuija Seipell

Lets face it.  Being a hospitalized kid sucks. Apart from the obvious physical issues, the mental issues such as boredom can keep sick children feeling very low indeed. Design team, Jetske Verdonk, have come up with this simple and fun solution to trailing a drip frame around all day.

The Zieken+Huis is a drip-cum-tricycle which allows the pint-size patient to zip around the ward whilst remaining attached to their vital fluids and intravenous medication. In addition to this three wheeling wonder, the release of a curtain frame which drapes around the patient's bed has also been launched.

The frame allows 'get well' cards to be hung around it, acting as a decoration for the otherwise sterile looking beds. by Bill T

Cool designs does not have to be limited to spaces used by adults as we see with these unique areas designed to enhance places of learning.

Forget the "concrete jungle" archetypal school, complete with bars on windows. This school's hallways (pictured above) have been inspired by the imaginary landscape of the Silver Dragon. This environment is created to read like a story book; the further you progress through the hallways, the higher your senses are delighted. With shimmering walls, glowing ceilings and a fantasy feel resonating throughout the architecture, the children engage on a higher social level within the school environment.



Traditionally, libraries also suffer from an image problem. Hordes of books coupled with the 'sshhhh' factor doesn't make for a very cool environment. By installing colorful interiors such as oversized book sleeves, a learning space such as the library is transformed into an area which kids see as cool, and therefore are inspired to read and learn.



A tree-inspired day care center is a far cry from fake grass enhanced playgrounds. The tree trunk is the very foundation of the center, and as such creates the security blanket for the entire structure. This center evokes a warmth which the youngsters respond to. Dream Blossoms grow out of the trunk and create sleeping areas for the habitants to snuggle and nap in. Above the blossoms sprawls the canopy of the



In Lego-bright contrast to the gloomy fate H.C. Andersen prescribed to his original Little Mermaid (that would be death, no less), today's blond little school-going Danes are encouraged to do the sort of things for which some of us got spanked.



Visual artists have created a school with fascinating interiors that feature high window seating for watching the world outside; green platforms with round, red holes where discussions can buzz and bubble, and large upholstered tubes where kids can hide with a good book or spend some time alone. You can do that at school? Unfortunately, only in Denmark.

Children's bookstores, on the other hand, have not suffered by the traditional libraries image problem. Generally, these stores are designed and merchandised to inspire children to enter and purchase.

The Kids Republic bookstore in Beijing (pic below) has taken that concept and run with it. Incorporating the core design elements of a kid's playground, these slipperyslide-inspired-shelves house books in an incredibly fun way. Breaking from the traditional table and chair reading areas, padded L shaped reading stools are used and enjoyed by tiny readers. Dull lighting is replaced by snakelike fittings that radiate a variety of colors whilst providing adequate light to read with.



The choices for kid friendly restaurants, where both parents and kids can enjoy a meal and an environment which caters to both are rare finds. McDonalds have probably lost count of how many times they have dialed 911 to have a parent rescued from inside a playground slippery tube where they have been stuck whilst attempting to get their child to come home.



In a beautiful Dutch village, 10 minutes out from Amsterdam's centre, a parents dream like, kid friendly restaurant exists.

Praq is a restaurant where parents, outerwear and even business people can enjoy a meal and co exist without complaint. Children feel the sense of independence by being seated in a kids area within moms view. There, they can play with giant puzzles, draw, and order from their very own menu whilst seated at their specially designed kids table. The secret to the restaurants success is the use of space.

Praq has been careful in separating these eating spaces whilst still allowing a parent to keep an eye on their child. The light spacious room creates the impression of separation, whilst keeping safety in mind. The children's food is so good, they don't need to promote it by adding in a free toy.



Traditional cooking schools have always looked like a giant classrooms full of mini kitchens. A kids cooking school in Japan has broken that mould by having design guru Moureaux create a studio space and new corporate identity for them.

The cooking school, which is set in the heart of a shopping area in the city of Kyoto, has created a space which eliminates the intimidation factor which students encounter when entering cooking schools. By seating the class amongst brightly colored decor and sleek table and chairs, the environment feels less like a class room. Here the kids can not only cook in the casual teaching environment, they can socialize and eat their homework too.



With U.K parents said to be lashing out a cool GBP 1 billion a year on kids birthday parties, its easy to see that the kids party industry is a gold mine. As children's taste develop, so too does their demand for the latest and greatest (think Veruca Salt in Willy Wonka). For some parents, the age old sleep over is being replaced by a girls night out at Alton Towers Hotel in th U.K.

The hotel has it's own children's Sleep over Suite, a theme room which caters for up to six sleeping princesses who can indulge in the ultimate girls slumber party. The sound proof room is perfect for 3am giggling fits and Justin Timberlake blearing throughout the night.

The suite is divided into two areas. The party area features an over the top entertainment system, karaoke machine ('I will Survive' - Chipmunk version) mini dance floor and a pink fridge filled with ice cream. The sleeping area boasts chill out beds which connect into one big bed for six occupants, a wall to wall mirrored bathroom which is flowing with pampering products from U.K's leading top brand superdrug (limitless branding opportunities here).

At £300 pounds per night (US $560), mom and dad have outsourced the kids birthday party and only have to worry about the drop off and pick up.



Offering a kid a lollypop to welcome them into hospital is so 1950's. Today, that sort of a deal just doesn't cut it.

Instead of bribery through confectionary, this children's hospital in London has reinvented the concept of infirmary and transformed it into inFUNery. Adorned with cheerful, gently winding hospital corridors which lead to wards which look more like kids bedrooms, the hospital has mapped out themes for each of the wards. From the Seashell Ward located on Beach level one, through to the Sky level, each kids ward uses decor and medical equipment that is colorful, creative looking and non threatening.

With a glass atrium dividing the hospital, patients from either side of the wards can look across to see an inviting garden filled with plants, trees and yes, Juggling clowns.

From cool schools to hip learning environments, kids design is forging ahead, meaning the next generation of adults will have been exposed to the elements of cool since childhood, creating adults with a hightened sense of good design. If you know of other interesting kids spaces, let us know. by Bill T

It's the ultimate experience for kids, a night in an alternative universe at the Kids Sphere Hotel in Belgium. Known as the Atomium, a replica of an iron molecule with nine aluminum spheres (built for the World Fair of 1958), the complex has been renovated and updated to include overnight accommodation for childrens dubbed the Kid Sphere hotel - set amongst the fascinating sci-fi exhibitions and original spheres. Kids are entertained by a packed calendar of events including films and there's a restaurant at the top of the structure boasting panoramic view of the city of Brussels. by Bill T