Former jazz singer Lana Del Rey defines her genre as Hollywood pop/sad core and says she hopes her music can be the “sonic equivalent of a Vincent Gallo film”. The 24-year old New Yorker also describes herself as “gangsta Nancy Sinatra”, putting into words the surprisingly coherent mix of the classic 60s round sound, the gloomy, grown up lyrics and the strong, convincing presence. Owing to Marianne Faithfull as much as she does to Fiona Apple and Norah Jones, this promising newcomer contrasts dark references with her fresh face via a series of DIY Youtube videos.
Her yet-to-be-released album is still being produced with a little help from a very cool production team including Liam Howe, Chris Braide and Emile Haynie. The foregoing teasing Youtube offerings seem to be all instant hits despite the poor production value of the videos: this is definitely the most awaited release of this autumn (Lana has signed with Stranger Records on June 30th and Video Games and Blue Jeans will be available on October the 9th).
Befriend her on Facebook and keep an eye on those updates: 14k of fans before the album release can’t be wrong! - Andreea Popa
Great animated music video for the band Danger Beach. Their album Milky Way can be downloaded here:
Directed by Ned Wenlock
Character animation by Rodney Selby
Steed Lord is a musical performance art project from Iceland working on the frontiers of pure creativity and music making with impressive and energetic live performances, experimental filmmaking, photography, fashion design and styling, art direction, graphic design and other visual mediums.
The threesome KALI, MEGA and DEMO all hail from their native Iceland where they grew up in the entertainment and art world learning their craft at an early age in their fathers studios.
Drawing their raw inspiration from their Icelandic background, they have managed to create a world of their own that they call New Crack City where they create their art and write their music.
Steed Lord have since early 2006 been a 100% DIY project and toured all over the world with their music performing for thousands of fans while being featured in numerous magazines, on music and fashion blogs, in tv shows, on radio and they even designed a clothing line for retail giant H&M.
Adele is back with a new single and album - turn up the volume and enjoy 'Rolling in the deep'. We can't get enough of this dark bluesy gospel disco tune. Here's also a dance remix.
We're completely obsessed with Margo from L.A - Wicked, original songs, videos and overall style. She holds her own, doing her own thing and totally OWNS it. Very Sheila E/Prince meets Cindy Lauper back in the day.
Born in Toronto, now based between L.A/new York, she's got the sexy, disco diva looks, individuality, talent, rockstar style, and performance skills to really make it big. Will keep an eye on Margo for now. Talent can only take you so far - we do hope she has good management behind her. Watch below
I am a very stylish video clip. It's Bros meets Robert Palmer meets Tom Ford.
What springs to mind when you think of actors making music? Likely you’re confronted with horrific images of Russell Crowe and Keanu Reeves belting out their ‘hits’ in earnest, followed by the faint smell of bad ideas. But there are exceptions to the rule. Jason Schwartzman has impressed over two Coconut Records, uh, records, as has indie pinup Zooey Deschanel as half of She & Him. Well, now you can add to that list Donald Glover.
As well as being a writer on 30 Rock and starring in fellow NBC sitcom Community, Glover’s also been exploring his other creative outlets under the moniker Childish Gambino, releasing his latest album Culdesac for free online last month.
Yet unlike fellow network TV funnymen like Andy Samberg and his Lonely Island crew, Glover’s turn on Culdesac is completely straight-laced and serious, and all the more entertaining for it. Although it isn’t a great surprise, this dude can rap, throwing out tight-wound verses that have enough bravado and charisma to make any rapper jealous, particularly on tracks like Hero or the grandstanding swagger-fest Let Me Dope You. Elsewhere, something like Put It In My Video races along with frantic beats and These Girls is a sombre crooner’s jam.
It’s a twisted hip-hop fantasy made real with the effortless cool of guys like Wale and Pharrell, mixed with a bit of Eddie Murphy’s forays into music. And it’s all good. - Dave Ruby Howe
With fuzzed out guitar swells, biscuit tin snare drums, drowsy, shuffling vocals, and a Google-defeating band name, Portland’s 1,2,3 have everything a day-dreaming indie rock romantic could hope for. Already courting both blogs and indie radio waves, this duo will be on repeat for the rest of the year without question.
With just one track to their name - the epic synths and vocoder frenzy named Futuretapes - it’s probably too early to proclaim Philadelphia based collective CSLSX the best new act we’ve heard in 2010. But screw it, we’re going to say it anyway. Because what we’ve heard so far is bordering so close on perfect that it’d be scary if we weren’t too busy dancing.
Hailing from a seriously chilled hideaway in Australia’s Queensland, Flight Facilities are two young dudes causing a big stir with their smoothed-out house tracks. Already grabbing the attention of heavies like Aeroplane and the Bang Gang, these guys are making sax solos in dance tracks cool again. And that can’t be a bad thing.
The next heiress to the pop princess crown, Florrie has been making all the right moves towards chart domination, including star hook-ups with bonafide hit-makers like Fred Falke and Xenomania, the same team that made Girls Aloud and Sugababes so inescapable. That’s a very tight pedigree, but of course it always comes down to the tunes, and so far it’s looking as though has a knack for hooky, delirious pop tunes. Expect big things.
With every rapper with a mic rallying to be a part of the next crop, 2010’s break out star seems to unanimously be North Carolina’s J. Cole. Having already impressed hip hop big guns like Wale, No I.D. and Jay-Z (who signed the 25 year old to his Roc Nation label) and a debut album (Cole World) due to drop in a matter of months you can expect be hearing a lot from him at every turn.
With a knowing nod to ‘80s smoothies like Toto and Hall & Oates, Sydney tunesmith Matt Van Schie has brought the pop back to synth-pop with his Balmy Nights EP from earlier this year. He’s got another run of tunes due before he settles back into his fulltime band Van She, so lovers of seriously smooth music should get their fill while they can.
Mixing pounding tribal drums with glowing neon synths for some twisted ‘calypso-electro’ sounds kind of terrible on paper, but one listen to New York production team Tanlines and their infectious tracks and we promise you’ll be converted to the gospel. - Dave Ruby Howe and Oli Queen
Two Door Cinema Club inhabit a curious position in the current musical landscape. On the surface they’re a typical indie-pop band, that’s obvious from the haircuts right down to the masterful knack for melody that these three Irish lads posses. But there’s more to it than that. The group’s energetic guitar blasts that riddle debut album Tourist History betray some serious punk leanings, not to mention the trio’s connection with French hipster den Kitsune has made them crossover stars with the dance and electro crowd. Indeed, the trio laid down parts of Tourist History with club stalwart Philippe Zdar of Cassius, an experience treasured by the trio
“He is the best producer working in dance music right now, hands down,” says Kevin Barnes from Two Door Cinema Club down a crackling phone line from Northern Ireland. “And he was great to work with, he just wanted us to try out all his toys in the studio,” he says, adding that the current musical climate helped facilitate the hook-up with Zdar. “Now those genres have really blurred and the label you put on the music doesn’t matter so much anymore.”
Indeed, the melting pot of styles found on Tourist History only serves to enhance the accessibility and sheer fun of Two Door Cinema Club. It’s an intensely listenable record, and its thoughtful simplicity is something to be cherished in an age of grand designs and high pretension in indie rock. “We just wanted to make something that was true to the music that we have all been influenced by, and this is what we came up with” Barnes explains. “We did our best to ignore all the hype and just focus on doing what we love.” Dave Ruby Howe